Articles by others

Coimbra Augusto Fernando : TELESTES AN INTERNATIONAL JOURNAL OF ARCHAEOMUSICOLOGY AND ARCHAEOLOGY OF SOUND,2021

Coimbra Augusto Fernando : ROCK ART AS A MNEMONIC PROCESS AMONG NON-LITERATE SOCIETIES,2019

Corso, Antonio: Αρχαία ελληνικά υποδήματα. Αθήνα, Αρχαιολογία και Τέχνες, 82, σελ. 59-82.

Oliveira Inês da Silva: Dance schools in Portugal – Project by , trainee at CID 2022

Lawler and Kober, The Thracian Pig Dance, 1945

Lawler, A Dancer’s Trophy, 1947

Lawler, A Lion among Ladies, 1947

Lawler, A Mortar Dance, 1947

Lawler, A Necklace for Eileithyia, 1948

Lawler, A SNUB-NOSED HAND IN THE GREEK DANCE, 1943

Lawler, Airein Maschalên and Associated Orchestic Schêmata, 1949

Lawler, ANCIENT BE-BOP, 1951

Lawler, Are They Dancing, 1965

Lawler, Ballgame Dances, 1941

Lawler, BEATING MOTIFS IN THE GREEK DANCE, 1944

Lawler, Bee Dances and the Sacred Bees, 1954

Lawler, Blinding Radiance and the Greek Dance, 1941

Lawler, Come, Let Us Dance Together, 1949

Lawler, DANCE MANIA IN PREHISTORIC GREECE, 1947

Lawler, Dancing Herds of Animals, 1952

Lawler, DREAM-BOATS AND THE CLASSIC DRAMA, 1949

Lawler, EVER DEAR TO US ARE DANCES, 1949

Lawler, FLAT HAND IN THE GREEK DANCE, 1942

Lawler, Four Dancers in the Birds of Aristophanes, 1942

Lawler, IXΘΥEΣ XOPEΥTAI, 1941

Lawler, Kretikos in the Greek Dance, 1951

Lawler, Ladles, Tubs, and the Greek Dance, 1950

Lawler, Limewood Cinesias and the Dithyrambic Dance, 1950

Lawler, On Suspended Dancers, 1941

Lawler, Orchêsis Kallinikos, 1948 Lawler, Orchesis Phobera, 1946

Lawler, Periekokkasa-Aristophanes, Knights, 697, 1951

Lawler, Phora, Schêma, Deixis in the Greek Dance, 1954

Lawler, Pindar and Some Animal Dances, 1946

Lawler, Portrait of a Dancer, 1946

Lawler, She Could Have Danced All Night, 1957

Lawler, SNAKE DANCES, 1948

Lawler, Terpsichore, 1963

Lawler, The Dance in Jest, 1963

Lawler, The Dance in Metaphor, 1951

Lawler, The Dance of the Alphabet, 1941

Lawler, The Dance of the Ancient Mariners, 1944

Lawler, The Dance of the Holy Birds, 1942

Lawler, The Dance of the Owl and Its Significance in the History of Greek Religion and the Drama, 1939

Lawler, The Dance of the πινακίδϵς, 1940

Lawler, The Easter Dances at Megara, 1927

Lawler, The Geranos Dance – A New Interpretation, 1946

Lawler, The Lily in the Dance, 1944

Lawler, The Maenads, A Contribution to the Study of the Dance in Ancient Greece, 1927

Lawler, THE MESSENGER’S DANCE, 1945

Lawler, The Posture of Runners in Greek Art, 1929

Lawler, THEY CANNOT STOP DANCING, 1956

Lawler, Two Notes on the Greek Dance, 1948

Lawler, Διπλῆ, διποδία, διποδισμos in the Greek Dance, 1945

Lawler, Ὄρχησις Ἰωνική, 1943

Leick, E., (2024) “Dancing Presence and Awareness: ‘Khaita – Joyful Dances’ as a Mindfulness Practice”, /Performance and Mindfulness/ 6(1). doi: https://doi.org/10.5920/pam.1478 <https://doi.org/10.5920/pam.1478>

Preciado-Azanza, G. (2014). How has Wayne Mcgregor used Science to develop his choreography in the 21stcentury dance?. London: English National Ballet School. 52 pp

Preciado-Azanza, G. (2018). Professional Inquiry: Understanding the impact of new technologies on the creative process in the 21st Century Professional Dance. London: Middlesex University. 81 pp

Preciado-Azanza, G. (2019). Understanding the impact of new technologies on the creative process in the 21stCentury Professional Dance, Athens: 54th World Congress on Dance Research
-Preciado-Azanza, G.; Akinleye, A. (2019). A Quarreling Pair (2007) by Bill T. Jones, a reference in dance of the digital age, Manchester: 5th Re: Generations Conference. Dance and the digital space

Preciado-Azanza, G. (2019). Igor Moiseyev State Academic Ensemble of Popular Dance, Dances of the World,. Revista Danza en Escena, vol 45, pp. 27

Preciado-Azanza, Gonzalo (2019) Giménez-Morte, C., Soprano Manzo, V., Bayarri Furió, A., Tena Medialdea, M.D. & Mesa García, S. (eds) (2018). La Investigación en Danza. Sevilla 2018. 10º Aniversario. Valencia: Ediciones Mahali, Acotaciones. Investigación y Creación Teatral, vol. 43, pp. 339-341

Preciado-Azanza, G. (2020). St. Petersburg The Pygmalion Effect Eiffman Ballet. Dance Europe, vol 248, pp. 94-95

Preciado-Azanza, G.; Akinleye, A. (2020). La Escuela de Riga y la Unión Soviética en el devenir de la carrera artística de Alicia Alonso. Revista Danza en Escena, vol 45, pp. 32-33

Preciado-Azanza, G.; Akinleye, A. (2020). Dancing the Digital Age: a survey of the new technologies in the choreographic process. Journal of Genius and Eminence, vol 5, pp 37-52    

Λιβάνιος: Προς Αριστείδην υπέρ των ορχηστών. 63

Λιβάνιος: Μονωδία επί Νοκομηδεία σεισμώ αφανισθέντων. 62

“Λουκάτος, Δημήτρης: “Ο χορός στη λαογραφία μας (μελέτη)”, Νέα Εστία, πρωτοχρονιά 1960. τόμος 67, τεύχος 789, σελ. 45-50, 1960.”

Παπαϊωάννου, Χριστίνα: Ο ρόλος του χορού στα θρησκευτικά δρώμενα της κλασικής αρχαιότητας. Θεσσαλονίκη, μεταπτυχιακή διατριβή στο Αριστοτέλειο Πανεπιστήμιο, 2009.

Υφαντής, Θ. Νίκος: “Λαθραία ρακοκάζανα”, Παράδοση και Τέχνη 037, σελ. 12-13, Αθήνα, Δ.Ο.Λ.Τ., Ιανουάριος-Φεβρουάριος 1998. (Από το βιβλίο του “Το αμπέλι στη λαϊκή παράδοση”, Ιωάννινα 1996)

Υφαντής, Νικόλαος: Ο πωγωνήσιος γάμος. Αθήνα, Ζωίδης, 1972, 417 σελ.

E.T.F.C. : Professional teaching standards for dance in arts education. Bethesda, Maryland, USA, NDEO, 2005. 

Anonymous: “Miss Duncan’s performance at the Municipal Theatre”. Athens. Translated from the Greek by Christopher Copeman. Published in Raftis, Alkis: Isadora Duncan and the artists (in Greek with English supplement). Athens, Way of Life Publications & Dora Stratou Theater, 2002, 222 p.

Levinson, André: “The art and meaning of Isadora Duncan”, in Copeland, Roger: What is dance?, p. 438-444. New York, Toronto, Membourne, OxfordUniversity Press, 1983.

Kyriakidis, Praxithea: “Disciplinary tradition and dance research. A short historical, Biographical-Bibliographical Note”, Paradossi & Techni, 46, 1999.

Fleming, Margaret: “The Dilemma: fidelity to historical truth or novelty?”, 14th International Conference, International Organization of Folk Art – Greek Section, Dance and History, Aridea, Pella, 13-17 September 2000.

Friedberg, Joan: “Tracing the past through the present in the Florina & Lake Prespa Region”, 14th International Congress on Dance Research, Aridaia, Greece, 13-17/9, 2000.

Nilsen, Norvald: “Changes in content and practice in dance education in the Norwegian school… 1997”, 14th International Conference, International Organization of Folk Art – Greek Section, Dance and History, Aridea, Pella, 13-17 September 2000.

Sirota, Anne Gani: “Changing wedding traditions in Florina, 14th International Conference, International Organization of Folk Art – Greek Section, Dance and History, Aridea, Pella, 13-17 September 2000.

Parviainen, Jaana: “Reading Heidegger in dance class: Technique, Technology, Poiesis, Techne”, 14th International Conference, International Organization of Folk Art – Greek Section, Dance and History, Aridea, Pella, 13-17 September 2000.

Sari, HeikkilΕ: “Finnish folk dances”, Finnish features, July, 1982.

Wolfram, Richard: “Reigen und Kettentanztformen in Europa”. Berlin, 1986.

Sikinnis. Storia di un’ antica danza

Hung-Fu, Lee : “Dance in ritual context. The Mlisin ritual… Eastern Taiwan”

Delavaud-Roux, Marie-Hélène: “Danser en Grèce antique”

Bielefeld, Erwin: “Ein boiotischer Tanzchor des 6 Jh. v. Chr.”.

Lewes, G. H.: “Was dancing an element of the Greek chorus?”

Greek dancing in the United Kingdom

Verhoegen, V.: “Une leçon de danse”, Bulletin des Musées Royaux d’Art et d’Histoire, ??, 6-16. ??

The dance symbol”, proceedings of the third conference on research in dance . Arizona: University of Arizona, 1972.

Ομηρος: “Οδύσσεια. Ο Οδυσσέας στην Κέρκυρα. Θ241-265 και Θ370-384”, Παράδοση και Τέχνη 064, σελ 27, Αθήνα, Δ.Ο.Λ.Τ., Ιούλιος-Αύγουστος 2002. Οδύσσεια. Μτφ. Σιδερής, Ζήσιμος, 2η έκδοση, Αθήνα, Ι. Ν. Ζαχαρόπουλος, 1956.

Ιλιάδα (Πρωτότυπο) (from the translation by A.T. Murray, p. 36-39)

 Levels of event patterns”: an attempt to place dance in a wholistic context “, ADG/CORD conference. Hawaii: University of Hawaii, 1978.

Fuller-Snyder, Allegra: “3 kinds of dance film, a welcome clarification”, Dance Magazine, September 1965, pp 34-39.

Film as a means of holistic communication”, Journal of the Association of graduate dance ethnologists, vol. 6, pp. 27-29.

The media for research and publication in dance”, Dance and film, the art gallery at Ontario, Canada, 1972.

Keynote speech for ADG conference Dance in a global community; celebrating our differences, the New World School of Arts, Miami, Florida, June 1992.

Guilcher, Yvon: “L’atelier de la danse populaire”.

Guilcher, Jean-Michel: “Tradition et histoire dans la culture populaire”, Documents d’ethnologie regionale, vol 11. Grenoble: Centre alpin et rhodanien d’ethnologie, 1990.

Raviart, Naïk: Transmission et transformation ,”Danse irlandaise traditionelle et danse française ancienne”.

Raviart, Naïk: “Sommes-nous fondés…..la danse?”, La danse & ses sources, actes du colloque Toulouse 31 octobre 1992.

Raviart, Naïk: “Influence de la danse….Irlande”, rencontres de musique ancienne, no issn 098-194 x

Hecker, J. F. C.: The dancing mania (translated by B. G. Babington). 1832

Seebass, Tilman: “Iconography and dance research”, Yearbook for Traditional Music, 1991, 32.

Ουράνης, Κώστας: “Χορός στο φράγμα του Μαραθώνα”, κείμενο για τα τριάντα χρόνια της σχολής Κούλας Πράτσικα 1930-1960. απόσπασμα από το [b31146] Πράτσικα, Κούλα: Εργα και ημέρες, αυτοβιογραφία. Αθήνα, 1991.

 Kyriacou, Charlie: Catalogue of Greek Folk Dance Videos in the libary of Charlie Kyriacou. November,1997.

Voyage dans le Lazistan et l’Arménie, texte et dessins inedits

Fiche de lecture de l’ouvrage de Raftis Alkis “Le monde de la danse grecque (ed. Polytipo, AthΛnes, 1985), 1Λre partie, 100p., 2Λme partie pp. 100-244.

Brandenburg, Hans (ed.): “Isadora Duncan”, Der moderne Tanz. München, Georg Müller, 1921.

Borowska, Malgorzata (translated into English by Joanna Dutkiewicz): Ancient greek dance in Poland, A Reconnaissance. Warsaw, 2003.

Diamantopoulos, Agnes: “Greek dances of today and the dances of ancient Greece”.

Serre, Jean-Claude: Projet de création d’un cursus de formation d’enseignants de danse. Paris, Serre, 1994.

Guilcher, Jean-Michel: “La danse traditionnelle en Basse Bretagne

Guilcher, Jean-Michel: “Regions et pays de danse en Basse-Bretagne

Guilcher, Jean-Michel: “La danse du loup

Lake, Coote: The dance of the spirit of the New Corn in Cattaro.

Petrides, Ted: “Ritual and carnival dance traditions”, entry “Greece”, Cohen, Selma Jeanne (ed.): International Encyclopedia of Dance. New York, Oxford University Press, 1998.

Anonyme: “Les danseurs”, Développement culturel, 142, Novembre 2003, 1-11. Paris, Ministère de la Culture et Communication, Direction des études et de la prospective, 2003.

Benner, Charles: Así bailaron un día… Ensayo sobre la Danza y el Ballet en Chile del siglo XIX.

Boisseau, Rosita: “Isadora Duncan n’en finit pas de danser”, Le Monde, 30/04/2005.

Mayen, Gérard: Autour d’Isadora. Retour aux sources, in Danser magazine, 243. Paris, 05/2005, p. 39-42.

Judith Lynne Hanna: “Dance Speaks Out on Societal Issues (Anthropology News, April 2005, 46(4):11-12 with 4 photographs).

Judith Lynne Hanna: The language of dance. JOPERD, 72(4):40-45, 53, April 2001.

Elisa Anzellotti: Memoria e Materia della Danza. Problemi conservativi di un patrimonio culturale immateriale. Tesi di dottorato, Università degli Studi della Tuscia di Viterbo, Dipartimento di Scienze dei Beni Culturali, 2015.

Cardiela Amézcua Luna: “LA FUNCIÓN SOCIAL DE LA DANZA DESDE LA PERSPECTIVA DE LA DESCENTRALIZACIÓN”, México, 29 de Abril de 2005.

Boisseau, Rosita: “La danse s’invente un langage à base de gestes et de paroles”, Le Monde, 13/05/2005.

Akoh, Erika: “In search of beauty – Seiko Takada”, 16th International Congress on Dance Research. Athens, IOFA Greece, 2002.

Duncan, Isadora: “My dances”, letter published in an Athenian newpaper. Athens, 22/11/1903.

Cleanthis, Angelos: “Letter from Berlin. Miss Duncan and the Greek dances”, Panathinea, Athens 31 January 1903.

Neis, Achilles: “The dancer Isadora Duncan. An interview with her”. Athens ?

Bogdani, Ramazan: “On the Albanian folk dances”, 1st International Conference, 7-27. Athens, IOFA, 1987.

Bottomley, Gillian: “Folk dance and representation”, 1st inter. Conference, 28-39. Athens, IOFA, 19

Devic, Dragoslav: Musical accompaniment of the national dances in Yugoslavia with special reference to the situation in Serbia”, 40-43. Athens: IOFA, 1987.

Goutsos, S. & Raftis, Alkis: “A systems theory approach to the study of dance-related social activities”, 1st inter. Conference, 44-50. Athens: IOFA, 1987.

Hanus, Mojmir: “Folk dance today in Czechoslovakia”, 1st Inter. Conference, 51-52. Athens: IOFA, 1987.

Heinze Lourdes, Angelina: “Folk dancing today”, 1st Intern. Conference, 53-57. Athens: IOFA, 1987.

Hunt, Yvonne: “Village dances in the difficult process of change in Olympos/Karpathos”, 1st Intern.Conference, 58-62. Athens: IOFA, 1987.

Joshi, Masukh: “Folk dance today”, 1st Dance Research Conference. Athens, IOFA, 1987, pages 63-78.

Karras, Athan: “Dance in the U.S. diaspora”, 1st Intern. Conference, 79-109. Athens: IOFA, 1987.

Katsourou, Irene: “Some positions about the tradition and the concert of popular dance”, 1st Intern. Conference, 110. Athens: IOFA, 1987.

Kritsioti, M. & Raftis, A.: “The relationship between song and dance in Karpathos”, 1st Inter. Conference, 119-127. Athens: IOFA, 1987.

Kowalska, Jolanta: “Meaning of the traditional Polish wedding dances: From the rite of the passage to the symbol of peasant culture and aesthetic sign”, 1st Inter. Conference, 128-133. Athens: IOFA, 1987.

Lange, Roderyk: “Folk dance and dance folklore”, 1st Dance Research Congress. Athens, IOFA, 1987, page 134-141.

Lillo, Alessandro: “Folk dance today”, 1st International Conference, 142-145. Athens, IOFA, 1987.

Leick, E., (2024) “Dancing Presence and Awareness: ‘Khaita – Joyful Dances’ as a Mindfulness Practice”, /Performance and Mindfulness/ 6(1). doi: https://doi.org/10.5920/pam.1478 <https://doi.org/10.5920/pam.1478>

Linette, Boguslaw: “Folk dance in Poland today”, 1st Inter. Conference, 146-151. Athens: IOFA, 1987.

Marczuk, Mieczyslaw: “The role of the folk dance in man’ s life in the era of contemporary civilization”, 1st Intern. Conference, 152-156. Athens: IOFA, 1987.

Margaritis, Alexia: “The dance in three villages of Cappadocia”, 1st Intern. Conference, 157-168. Athens: IOFA, 1987.

Metallinos, Nikos: “The significance of the Greek folk dances in the revival of ancient drama”, 1st Inter. Conference, 169-189. Athens: IOFA, 1987.

Michael-Dede, Maria: “Therapeutical dances in Greece”, 1st Intern. Conference, 190-195. Athens: IOFA, 1987.

Petridis, Ted: “Folk dance terminology”, 1st Intern. Conference, 196-199. Athens, IOFA, 1987.

Prantzidis, Yannis: “Remarks on the teaching of Greek traditional dance”, 1st Inter. Conference, 200-206. Athens: IOFA, 1987.

Press, Gerald: “Freedom and folk dance”, 1st Intern. Conference, 207-230. Athens: IOFA, 1987.

Sachinides, Constantinos: “The functionality of the traditional and popular dances in the modern Greek society”, 231-239. Athens: IOFA, 1987.

Siampanopoulos, Constantinos: “Dances in festivities and local celebrations in the country of Kozani”, 1st Intern. Conference, 240-241. Athens: IOFA, 1987.

Schott-Billmann, France: “Fire dancing in modern Greece”, 1st Intern. Conference, 242-246. Athens: IOFA, 1987.

Smailou, Sofia: “The endurance of our folk dance characteristics within development of the art of dance and civilization”, 1st Intern. Conference. Athens: IOFA, 1987.

Spencer, Paul: “The diffusion of form and the infusion of meaning in dance”, 1st International Conference on Dance Research, 253-259. Athens, IOFA, 1987.

Tanaka, Ichiko: “Folk dances in Japan and in Greece”, 1st Intern. Conference, 260-266. Athens: IOFA, 1987.

Tseva, Angela: “Folk dance today”, 1st Dance Research Congress, 267-273. Athens, IOFA, 1987.

Vokos, Gerassimos: “Miss Isidora (sic) Duncan dances…”, Kallitechnis, 3/25. Athens, 04/1912, p. 27-28.

Schwartz, Elisabeth: “La courbure de la vie, ou Isadora Duncan des années 80”. Lyon, Biennale Internationale de la Danse, 1984, p. 25.

Ulrich, Allan: “Who’s dancing? Who’s watching?”, Dance Magazine. New York, 08/2004.

Vanderheyde, Catherine: «La danse dans l’art byzantin: quand le mouvement exprime un rituel Réflexions à partir d’exemples choisis», Ktema, 32, 2007, p.p. 157-167. Strasbourg, Université Marc Bloch de Strasbourg, 2007.

Van Aelbrouk, M. Jean-Philippe : “Folk dance in Wallonia”

Oesterreich Salvator Ludwig Erzherzog von: “Πώς χορεύουν στους Παξούς, 1884-1885”, Παράδοση και Τέχνη 064, σελ. 4, Αθήνα, Δ.Ο.Λ.Τ., Ιούλιος-Αύγουστος 2002. Paxos und Antipaxos im Ionischen Mere. Würzburg & Wien, Leo Woerl, 1887.

Bezielich, Barbara: “Are the costumes of dance regional groups the reflection of the changes in traditional folk costumes in Poland?”, 2nd World conference, 8. Athens: IOFA, 1988.

Crang, Robert: “Musical notation of dance. Application to folk dance”

Dragoslav, Devic: “The modern music accompaniment of folk dances in Yugoslavia”, 2nd world conference, 24. Athens: IOFA, 1988.

Dunin, Elsie: Wedding dance custom: “Is the bride lame?”, 25-30. Athens, IOFA, 1988.

Fotiadis, Erminia: “The popular dance”, 2nd world conference, 31-35. Athnes: IOFA, 1988.

Fügedi, Janos: “The use of Laban-kinetography in the Hungarian folk dance research”, 2nd world conference, 36-41. Athens: IOFA, 1988.

Giffoni, Maria Amalia: “Research experience and teaching application on folk dances”, 2nd world conference, 42-49. Athens: IOFA, 1988.

Karras, Athan: “Dance: A persistent expression”, 2nd world conference, 50-61. Athens: IOFA, 1988.

Lange, Roderyk: “The development of Ethnochoreology”, 2nd world conference, 62-120. Athens: IOFA, 1988.

Livas, Haris: “The dances of Morocco”, 2nd world conference, 121-138. Athens: IOFA, 1988.

Marczuk, Mieczyslaw: The function of folk dance in the life of man in the contemporary civilization “, 2nd world conference, 129-132. Athens: IOFA, 1988.

Nerantzis, John: “Gaitanaki” or “Katsoudas” dance, 2nd world conference, 133-134. Athens: IOFA, 1988

Nilson, Mats: “Seglarin, a working class dance from Gothenberg?”, 2nd world conference, 135-137. Athens: IOFA, 1988.

Petrides, Ted: “Greek folk dance and change”, 2nd World Conference, 138-145. Athens, IOFA, 1988.

Piotrowski, Marcin: “The Semiotics of a folk dance”, 2nd Dance Research Congress. Athens, IOFA, 1988, page 146.

Redier, Therèse: “Short note on some dance figures in Roman Gaulle: the treasure Neuvy-en-Sullias”, 2nd world conference, 147-153. Athens: IOFA, 1988.

Rejskova, Eva & Rajsek, Radak: “Folk dance in amateur dance ensembles”, 2nd world conference, 154-15 5. Athens: IOFA, 1988.

Scubahabaye, Cyrille: “Folk dance in Burundi”, 2nd World Conference, 156-157. Athens: IOFA, 1988.

Uski, Raija: “Folk dancing as a hobby for children and young people”, 2nd World Dance Research Congress. Athens, IOFA, 1988, pages 160-161.

Waaka, Kuru: “Revival of the culture of the Maori people”, 2nd Dance Research Congress, 162-164. Athens, IOFA, 1988.

Clancy-Kuhlmann, Patricia: Classical Greek Dance and it’s role in “Dance In Education”, Lecture/demonstration by Patricia Clancy-Kuhlmann for the UNESCO International Dance Council Congress held at Naxos, Greece from October 22 – 26 2003.

Hanna, Judith Lynne: A Perspective on Challenges for Dance in the 21st Century.

Balkus, Mary-Pat: “Folk dance and the mentally retarded”, 3rd World Conference, 13-17. Athens, IOFA,

Djordjevic, Desanka: “Folk dance teaching in Yugoslavia”, 3rd Dance Research Congress. Athens, IOFA, 1989, pages 49-54.

Fracile, Nice: “Some characteristics of the Rumanian folk dances in Yugoslavia”, 3rd world conference, 77-82. Athens: IOFA, 1989.

Hasslauer, Umadevi: “Indian folk dance in education”, 3rd Dance Research Congress. Athens, IOFA, 198, pages 74-75

Folk dance in education”, 3rd World Dance Research Conference. Athens, IOFA, 1989, pages 77-82.

Kansantanssinuorten, Liito: “Training of folk dance teachers in Finland”, 3rd world conf., 98-99. Athens: IOFA, 1989.

Lambropoulou, Voula: “Men being women and women being men in marriages, festivals and dances in ancient Greece. A similar custom in the Indians of Venezouela, 3rd world conf., 100-106. Athens: IOFA, 1989.

Miehe, Brunhilde: “Folk dance in education – The situation in West Germany”, 3rd world conf., 115-118. Athens: IOFA, 1989.

Nasuruddin, Ghouse-Mohamed: “The Malay dance”, 3rd Dance Research Congress. Athens, IOFA, 1989, page 119-224.

Roldan, Anabela: “The teaching of national dance and the research work. Problems and prospectives.”, 3rd world conf., 225-231. Athena: IOFA, 1989.

Frasunkiewicz-Stowpiec, Dorota: “Round dances and songs of the East Slavonic region”, 3rd world confer., 231. Athens: IOFA, 1989.

Tindjle, Daniel: “Evolution des danses en Benin: Le cas du Zinli”, 3rd Dance Research Congress. Athens, IOFA, 1989, p. 232-234.

Tirovola, Vassiliki: “The traditional dance as a means of aesthetic education”, 235. Athens: IOFA, 1989.

Todorov, Manol: “Le rôle esthétique et éducatif de la danse folklorique”, 3rd Dance Research Congress, 236. Athens: IOFA, 1989.

Delgado-Martinez, Cezar: “Folk dance in Mexico’s educational system”, 3rd world confer., 109-114. Athens: IOFA, 1989.

Andeeva, Eugenia: “Dance – music, its place in the folk – culture of the USSR, 4o δeεθνές Dance Research Congress Δ

Baty-Smith, Gregoria: “Dance as adaptation in Micronessia”, 4th Dance Research Congress, 113-122. Athens, IOFA, 1990.

Coghlan, Aruba: “An introduction to the dances and music of Ireland”, 4th Dance Research Congress, 123-128. Athens, IOFA, 1990.

Fracile, Nile: “Dancing “Kolo” for the first time. A Roumanian custom in Vojvodina, Yugoslavia”, 4thDance Research Congress, 129-142. Athens, IOFA, 1990.

Helu, I. Futa: “Aesthetics of the Tongan dance: a comparative approach”, 4th Dance Research Congress, 143. Athens, IOFA, 1990.

Hunt, Yvonne: “The dance of the Tzamala of Flambouro Serres”, 4th Dance Research Congress, 144-147. Athens, IOFA, 1990.

Grigoryeva, Alla: “Folk dance in composers creative work”, 4th Dance Research Congress, 148. Athens, IOFA, 1990.

Kamel, Ismail: “Folk dance and music in Syria”, 4th Dance Research Congress, 149-152. Athens, IOFA, 1990

Kang, Mi-Ree: “The spirit of Korean dance”, 4th Dance Research Congress, 153-158. Athens, IOFA, 1990.

Kang, Mi-Ree etc.: “Historical study on Korean traditional dance”, 4th Dance Research Congress. Athens, IOFA, 1990.

Köller, Rob, Stoffel, FrΕnz: “Le folklore au Luxembourg”, 4th Dance Research Congress, 172. Athens, IOFA, 1990.

Lambropoulou, Voula: “Dances education and civilization in Antiquity”, 4th δeεθνές Dance Research Congress, 173-178. Athens, IOFA, 1990.

Livas, Haris: “International aspects of folk music and dance”, 4th Dance Research Congress, 179-196. Athens, IOFA, 1990.

Romero, Rosa-Olivera: “Influence from Spanish folk dances into Southeast Mexican folk dances”, 4th Dance Research Congress, 197. Athens, IOFA, 1990.

Ichiko, Tanaka: “The Greeks and their dance”, 4th Dance Research Congress, 198. Athens, IOFA, 1990.

Nahumck, Nadia Chilkovsky: “Isadora Duncan. Spirit of Athena”, 5th Dance Research Congress 1, 22-31. Athens, IOFA, 1991.

War dances in Ancient Greece”, 5th Dance Research Congress 1, 32-40. Athens, IOFA, 1991.

Dienes, Gedeon: “Isadora and modern dance in Hungary”, 5th Dance Research Congress 1, 41-50. Athens, IOFA, 1991.

Guerrier, Claudine: Greek dance, Greek culture and the neo-classicism of Serge Lifar, 5th Dance Research Congress 1, 9-61. Athens, IOFA, 1991.

Jacquin, Renée: “La danse antique aux fêtes de Delphes (1927-1930)”, 5th Dance Research Congress 1, 59-61. Athens, IOFA, 1991.

Kyriacou, Charles: “Classical Greece and the study of modern Greek folk dance”, 5th Dance Research Congress 1, 62-71. Athens, IOFA, 1991.

Mandalaki-Spanou, Stella: “The dance in Minoan Crete”, 5th Dance Research Congress 1, 72-81. Athens, IOFA, 1991.

Petrossian, Emma: “Martial dances in the Old Greece. A typological comparison with the Armenian martial dances”, 5th Dance Research Congress 1, 82-93. Athens, IOFA, 1991.

Prudhommeau, Germaine: “La danse dans les textes grecs antiques”, 5ο Διεθνές Συνέδριο για την Ερευνα του Χορού, 1/94-1/104. Athens, IOFA, 1991.

Rosemain, Jacqueline: “Les danses des Antilles françaises et espagnoles, héritiers des danses dionysiaques”, 5th Dance Research Congress 1, 105-113. Athens, IOFA, 1991.

Schott-Billmann, France: “An ancient cult maintained in modern Greece”, 5th Dance Research Congress 1, 114-122. Athens, IOFA , 1991.

Sergent, Bernard: “Danser nu à Sparte”, 5th Dance Research Congress 1, 123-140. Athens, IOFA, 1991.

Sparti, Barbara: “Ancient Greek influences on Italian Renaissance dance”, 5th Dance Research Congress 2, 147-156. Athens, IOFA, 1991.

Ulanowska, Agata: “Dance scenes in the Aegean glyptic art. Some remarks”, 5th Dance Research Congress, 1991 1, 151-161. Athens, IOFA, 1991.

Kapetanaki, Regina: “The role of the chorus and its applications in contemporary performances of ancient Greek drama”, 5th Dance Research Congress 1, 221-238. Athens, IOFA, 1991.

Koutsouba, Maria: “The Greek cycle of Martha Graham”, 5th Dance Research Congress 1, 239-246. Athens, IOFA, 1991.

Lambropoulou, Voula: “Dances of masquers and the birth of theatre”, 5th Dance Research Congress 1, 247-258. Athens, IOFA, 1991.

Garres, Carmen: “Les danzas circulares del N.E. de Espagna comparadas con las danzas de la Grecia Antigua”, 5th Dance Research Congress 1, 277-280. Athens, IOFA, 1991.

Karwinsky, baronne Esther Sant’Anna de Almeida: “Danses folkloriques grecques au Bresil”, 5th Dance Research Congress 1, 281-285. Athens, IOFA, 1991.

Redier, Therèse: “Les danseurs de Neuvy-en-Sullias, Loiret, France, sont-ils vraiment des bacchantes ?”, 5th Dance Research Congress 1991 1, 286. Athens, IOFA, 1991.

La Grue et la Pyrrhique examinées et reinterpretées”, 5th Dance Research Congress. Athens, IOFA, 1991, pages 2/57-68.

Delavaud-Roux, Marie-Hélène: “Les danses armées en Grèce antique

Guerrier, Claudine: La danse grecque, la culture grecque; le neo-classicisme lifarien, 5th Dance Research Congress 2, 78-86. Athens, IOFA, 1991.

Jacquin, Renée: “Ancient dance at the Delphi Festival (1927-1930)” 5th Dance Research Congress 2, 87-89. Athens, IOFA, 1991.

Jian-ping, Ou: “Dance perspectives. China and Greece in their effect in the subsequent years” 5th Dance Research Congress 2, 90-96. Athens, IOFA, 1991.

Liapis, Vangelis: “The ancient Elefsinian dances and their effect in the subsequent years” 5th Dance Research Congress 2, 97-111. Athens, IOFA, 1991.

Negry, Gabriel: “La danse antique Geto-Dance et les influences grecques et romaines” 5th Dance Research Congress 2, 112-121. Athens, IOFA, 1991.

Rosemain, Jacqueline: “French and Spanish dances inherited from dionysiac dances”, 5th Dance Research Congress. Athens, IOFA, 1991, page 2/122-129.

Schott-Billmann, France: “Un culte dansé en Grèce moderne”, 5th Dance Research Congress 2, 130-146. Athens, IOFA, 1991.

Sparti, Barbara: “Ancient Greek influences on Italian Renaissance dance”, 5th Dance Research Congress 2, 147-156. Athens, IOFA, 1991.

Zagouras, Nikos: “Ancient metrical patterns in the music of Greek folk dances”, 5th Dance Research Congress 2, 157-165. Athens, IOFA, 1991.

Zografou, Magdalene: “Serra dance as a form of Pyrrhic dance”, 5th Dance Research Congress 2, 166-176. Αθήνα, IOFA, 1991.

Andrade, Maria de: “Mormorio”, “Sorrow waltz”, 5th Dance Research Congress 2, 197-198. Athens, IOFA, 1991.

Astier, Régine: The influence of Greek rhetoric on the composition and interpretation of baroque stage dances” 5th Dance Research Congress 2, 199-212. Athens, IOFA, 1991.

Hart, Rona: “Classical dance. Ruby Ginner method”, 5th Dance Research Congress 2, 213-217. Athens, IOFA, 1991.

Karwinsky, baroness Esther Sant’ Anna de Almeida: “Greek folk dances in Brazil”, 5th Dance Research Congress 2, 218-220. Athens, IOFA, 1991.

Kooluris, Hortense: “The dance of Isadora Duncan”, 5th Dance Research Congress 2, 221-225. Athens, IOFA, 1991.

Lytton, Madeleine: Isadora Duncan and her link with Greek classical art, 5th Dance Research Congress 1991 2, 226-234. Athens, IOFA, 1991.

Phryganaki, Anastasia: “Ceremony under the Acropolis”, 5th Dance Research Congress 2, 235. Athens, IOFA, 1991.

Polyzos, George: “Ancient Greek musical instruments constructed”, 5th Dance Research Congress. Athens, IOFA, 1991, page 2/236-244.

Psaroudakis, Stelios: “Ancient Greek odes” 5th Dance Research Congress 2, 245. Athens, IOFA, 1991.

Redier, Therèse: “Are the dance figures of Neuvy-en-Sullias really bacchants?”, 5th Dance Research Congress 2, 246-250. Athens, IOFA, 1991.

Shantala, Leda: “Theseus – The essence of dance in India and ancient Greece”, 5th Dance Research Congress 2, 251-260. Athens, IOFA, 1991.

Dance ethnography: an Olympic perspective

Guilcher, Yves: “Des merites et des pièges de l’enquete ethnographique sur la danse”, 6ο Dance Research Congress 109-116. Athens, IOFA, 1992.

Cirigliano, Anna: “Le Isole del Dodecaneso”, 6th Dance Research Congress. Athens, IOFA, 1992, pages 184-189.

Batalha, Ana Paula: “Ethnochoreographic research and education”, 7th Dance Research Congress 1, 13-19. Athens, IOFA, 1993.

Guilcher, Jean-Michel: “Mecanismes de transmission…..français” 7th Dance Research Congress 2, 20-23. Athens, IOFA, 1993.

Guilcher-Raviart, Naik: “Comment penser une pedagogie….traditionnelle?”, 7th Dance Research Congress 2, 24-30. Athens, IOFA, 1993.

Kelessidis, Polycarpos & Zografou, Magda: “Contribution of the morphological ….dances”, 7th Dance Research Congress 2, 31-36. Athens, IOFA, 1993.

Kramer, Klaus: “Tanzen-lehren in Deutschland”, 7th Dance Research Congress 2, 37-46. Athens, IOFA, 1993.

Kyriakou, Charles: “Teaching folk dance. Purposes informing method”, 7th Dance Research Congress 2, 47-56. Athens, IOFA, 1993.

Macara, Ana: “The functions of art and … composition”, 7th Dance Research Congress 2, 57-65. Athens, IOFA, 1993.

Ghouse-Nasuruddin, Mohamed: “Teaching dance in Malaysia”, 7th Dance Research Congress 2, 57-65. Athens, IOFA, 1993.

Raftis, Alkis: “Proposals for the upgrading of folk dance”, 7th Dance Research Congress 2, 72-82. Athens, IOFA, 1993.

Moura, Margarida: “Portuguese folk dances”, 7th Dance Research Congress2, 97. Athens, IOFA, 1993.

Ghouse Nusuruddin, Mohamed: “The aesthetics and ecstatic of Malay dance”, 7th Dance Research Congress 2 , 98-105. Athens, IOFA, 1993.

Preovolos, Peter: “The folk dance festival of the Greek Orthodoc Diocese of San Francisco”, 7th Dance Research Congress 2, 106-108. Athens, IOFA, 1993.

Smok, Pavel: “How to do the dance”, 7o Dance Research Congress 2, 109-110. Athens, IOFA, 1993.

Stathis, Meletis: “Teacher of dance teachers?”, 7th Dance Research Congress 2, 111-113. Athens, IOFA, 1993.

Naerebout, Frederic: “The teaching of folk dance in Holland”, 7th Dance Research Congress 2, 146-149. Athens, IOFA, 1993.

Panova, Gergana: “The folk dance teaching in Bulgaria”, 7th Dance Research Congress 2, 150-152. Athens, IOFA, 1993.

Nilsen, Norvald: ”Living folkdance and the liberal free market”, …

The functions of Folk Dances in Epeiros and …..

Landry, Michel: “La danse traditionnelle en l’ιducation”, Le Troubadour, Vol. 4, no. 1, aoϋt 1980, p. 21-23.

Trotter, Hilary: “Capturing dance”, Book review, Alkis Raftis: Dance in Poetry, International Anthology of Poems on Dance. International Dance Council -UNESCO-B, 186 pages, ISBN 960 85 7 06 00.

Ambegaokar, Anjani : “Analysis of “Soul to Sole”, a collaboration of Kathak-Tap-Flamenco”, 14th International Congress on Dance Research, Aridaia, Greece, 13-17/9, 2000.

Avner, Dorris: “Keeping the Fred Berk legacy alive through Adinah Margolis”, 14th International Congress on Dance Research, Aridaia, Greece, 13-17/9, 2000.

Weber, Bernhard: “Zwei Beispiele für Verbreitungsmöglichkeiten von Musik und Tänzen..”, 14th International Congress on Dance Research, Aridaia, Greece, 13-17/9, 2000.

Phillips, Mary Elizabeth: “A parallelism between ballet and the Revived Greek Dance”, 14th International Congress on Dance Research, Aridaia, Greece, 13-17/9, 2000.

Mohanty, Leena : “Unifying the body and the soul. A scientific exploration” 14th International Congress on Dance Research, Aridaia, Greece, 13-17/9, 2000.

Coros, Mary: “What traditional dances do Cretans know?”, 14th International Conference, International Organization of Folk Art – Greek Section, Dance and History, Aridea, Pella, 13-17 September 2000.

Copeman, Christopher: “Greek dancing in the United Kingdom”, 14th International Congress on Dance Research, Aridaia, Greece, 13-17/9, 2000.

Parviainen, Jaana : “Reading Heidegger in dance class: Technique, Technology, Poiesis, Techne”, 14th International Congress on Dance Research, Aridaia, Greece, 13-17/9, 2000.

Shiuan, Chang Chung: “History and development of Talented Dance Class in Taiwan”, 14th International Conference, International Organization of Folk Art – Greek Section, Dance and History, Aridea, Pella, 13-17 September 2000.

Hung-Fu, Lee (Taiwan): Dance in ritual context. The Mlisin ritual in the Amis village of Makutaai, Eastern Taiwan”, 14th International Congress on Dance Research, Aridaia, Greece, 13-17/9, 2000.

Sokovikova, Natalia: “The role of psychology in the understanding of a profession. The choreographer of classical ballet”, 14th International Congress on Dance Research, Aridaia, Greece, 13-17/9, 2000.

Gani Sirota, Anne: “Changing wedding traditions in Florina”, 14th International Congress on Dance Research, Aridaia, Greece, 13-17/9, 2000.

Thram, Diane: “Performance as ritual, performance as art: Dandanda song and dance as repository of Shona cosmology and cultural history in Zimbabwe”, 14th International Congress on Dance Research, Aridaia, Greece, 13-17/9, 2000.

Nilsen, Norvald: Changes in content and practice in dance education in the Norwegian school system after the Curriculum Reform of 1997″, 14th International Congress on Dance Research, Aridaia, Greece, 13-17/9, 2000.

Friedberg, Joan: Tracing the past through the present in the Florina & Lake Prespa Region”, 14th International Congress on Dance Research, Aridaia, Greece, 13-17/9, 2000.

Margaret Fleming: “The Dilemma: fidelity to historical truth or novelty”,14th International Congress on Dance Research, Aridaia, Greece, 13-17/9, 2000.

Ομηριάδης, Αλέξανδρος: “Οι χοροί των προσφύγων κατοίκων στα Χρυσοχώραφα Σερρών”, Παράδοση και Τέχνη 058, σελ.25-26 , Αθήνα, Δ.Ο.Λ.Τ., Ιούλιος-Αύγουστος 2001.

Phillips, Mary Elizabeth: “Dance criticism and its role within the cultural arena”, 15th International Congress on Dance Research, Ioannina, Greece, 7-11/11, 2001.

Dils, Ann: “Dance reconstruction and personal history”, 15th International Congress on Dance Research, Ioannina, Greece, 7-11/11, 2001.

Papapavlou, Maria (Greece): “Flamenco dance and the negotiation of Oral History”, 15th International Congress on Dance Research, Ioannina, Greece, 7-11/11, 2001.

James, Angharad: “The predicament: Movement notation in the field?”, 15th International Congress on Dance Research, Ioannina, Greece, 7-11/11, 2001.

Giorgio Di Lecce: “Three tarantulas – Tretarante”, 15th International Congress on Dance Research, Ioannina, Greece, 7-11/11, 2001.

Jung, Aja & Logunov, Vladimir: “Dance in the Yugoslav area, traces of archetypes. Modernization of folk dance”, 15th International Congress on Dance Research, Ioannina, Greece, 7-11/11, 2001.

Kantas, Dimitris: “The Corfiot Sirtos dance (Romaika)” ,15th International Congress on Dance Research, Ioannina, Greece, 7-11/11, 2001.

Foluke Ogundare & Olubunmi Ogundare Jnr. (Nigeria)¨ Nigeria Dance Theater “Alujo”. The history of an African talking drum. Exhibition: Dancing and drumming in Africa”, 15th International Congress on Dance Research, Ioannina, Greece, 7-11/11, 2001.

Martin, György: “Die Kennzeichen und Entwicklung des neunen ungarischen Tanzstiles”, Acta eth. ac. Scient. Hungaric, 28 (1-4), 155-175. Budapest: Hungarian Academy of Sciences, 1979.

Martin, György: “Struktur eines improvisativen Männertanzes”, Studia Musicologica Academiae Scientia rum Hungaricae 19, 1977. Budapest: Hungarian Academy of Sciences, 1977.

Martin, György: “Weapon dance melodies and rhythmic multiplicity”, Studia Musicologica Academiae Scientiarum Hungaricae 21, 1979. Budapest: Hungarian academy of Sciences, 1979.

Martin, György: “Improvisation and regulation in Hungarian folk dances”, Acta Ethnographica Academia e Scientiarum Hungaricae, 29 (3-4), pp 391-425 (1980). Budapest: Hungarian Academy of Sciences, 1980.

Benda-Weber, Isabella: The influence of the Iranian horsemen’s dresses on Greek traditional costumes, 15th International Congress on Dance Research, Ioannina, Greece, 7-11/11, 2001.

Abreu, Andres D.: Cuba, centro del Día Mundial de la Danza expresó en La Habana Alkis Raftis… Havana, Cuba, Diario Gramma, 08/120, 29/04/2004

Tanaka, Ichiko: “The greek traditional dance”, Bulletin of G.W.J.C. 24, 1-18, in english. Japan: Gakushuin Women’s Junior College, 1986.

Seelmann, Theo: “Tanzhygiene”, Uber Land und Meer, Germany, 1903.

Petrides, Theodore: “The relationship of Pontic dances… rhythms”, Arceion Pontou, 38, 633-651 (ανάτυπον). Athens, Επeτροπή Ποντeακών Μελετών, 1984.

Martin, György: “Peasant dance …East-Central Europe”, 117-128.

Martin, György: “Ethnic and social strata in the naming of dances”, Hungarian Studies 1/2 (1985), 179-190. Budapest: Akademiai Kiado, 1985.9-190. Budapest: Akademiai Kiado, 1985.

Hanna, Judith Lynne: The Language of Dance, JOPERD, 72(4), 40-45, 53, April 2001.

Sokovikova, Natalia: “Russian dance as means of development for children of pre-school age”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Samaras, Dimitrios: “Headdresses and costumes at Roumlouki”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Retsila, Eurydice: “Exhibiting the intangible. An example from Corfu”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Iliou, Leontine: “Eurythmy – The modern art of movement”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Goodman, Karen: “Come let us dance”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Gaston, Anne-Marie: Preparing the ground for dance: Ritual, sacred space”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Fontaina, Jeannie: “The Candombe in Uruguay”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Siampanopoulos, Constantinos: “Dances in festivities and local celebratius in the county of Kozani”.

Way, Ruth: “The vital relationship between research and teaching to enhance creative practice and the environment for arts education”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Barryte, Marcia Aron: “Dance among the Sephardic Jews from Rhodes living in Los Angeles”, pp. 266. Los Angeles: University of California, 1984.

Dunin, Elsie & deAlaiza, Candi: “DdA reference format for dance”, pp. 42. Los Angeles: Dunin & deAla iza, 1989.

Vasic, Olivera: “Traditional Oro dances in Serbia”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Valsamidis, Manolis: “The character of the dramatization in the Boules of Naoussa”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Thetoky, Elizabeth: “Traditional dances and costumes of Corfu as described by travellers of the 19th century”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Sukarova, Iskra: “Observational report for the first year as part of the BA program in the Laban Centre London”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Stevens, Christel & Clark, Lori: “Images of women in Indian dance, sacred and profane”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Sporton, Gregory: “Real & false cultural understanding. Ideas, policy & practice for multi-ethnic Britain”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Smith, Karen Lynn: “Dancing healthy”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Siokis, Nikolaos: “Argoutsiaria in Klisoura of Kastoria”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Boxell, Dennis: “Greek Macedonian Dances”.

Raman, Indu: “Keep dance heritage alive!”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Guilcher, Jean-Michel: “Le domaine du rigodon: une province … danse”, Le monde Alpin et Rhodanien 1984, 7-71.

Oatley, Diane: “Blissful thinking. Towards a poetics of dance”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Guilcher, Jean-Michel: “Aspects et problèmes de la danse populaire traditionnelle, Ethnologie Française, 1971, 7-48.

Naerebout, Frederick: “Nice dance! But is it authentic?. What actually is this ‘authenticity’ that everybody is going on about?”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Musmon, Margaret & Gallo, Ann Marie: “The role of assessment in dance pedagogy”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Mosusova, Nadezda: “Are folkloric ballets an anachronism today?”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Koukouvitis, Charis & Ponidou, Stella: “Dances and songs of the Vlachs in Kokkinoplo”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Graziosi, Joseph: “New York folkdance conference 1989-Greek Folkdance Index”. Astoria: Greek American folklore Society, 1989.

Bogdani, Ramazan: “Les danses de Luma”, Culture Populaire Albanaise. Tirana, 1987, 86-102.

Perestroika and the folk dance

Bardsley, Kay: “Social cause as dance, enter Isadora”, Ballet Review , 73-83. USA, 1994

Berger, Morroe: “The belly dance”, Horizon 1966, 2, 42-49. USA, American Heritage Publishing Co, Inc, 1996.

Kolleros, Lefteris & Parkes, Alan P.: Computer-assisted dance teaching via multiple representations”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Karkoulia, Dimitra: “The dance of Cos Island as a vehicle of moral principles”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Karayianni, Stavros Stavrou: “Performing gender, class and nation. The tsifteteli and the politics of Hellenic dance”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

James, Angharad: “A short history of Welsh dancing”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Goussiou, Katerina: “The cultural perceptions of dance and the construction of identities. The flamenco case”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Tsaousis, Vassilios: “Neoteric “architectural” shapes of the Karpathian dance-floor”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Dzadzevic, Dragoslav: “Folk dances and the problem of their preservation”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Curda, Barbara: “Odissi in contemporary Orissa. Strategies, constraints, gender”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Copeman, Christopher: “Children learning to dance”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Citaristi, Ileana: “Devadasi of the Jagannath Temple: precursors of Odissi music and dance”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Strumia, Verenice: “Creation of a Latin American patrimonial choreographic area”,17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Saint-Georges, Franco Soraya: “The Indian dance Karanas rescue research”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Patsalis, Contsantinos: “The female costume in Orchomenos, Boeotia (Greece)”,17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Murillo, Telma Martha Gòmez : “Men in the Giver path”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Isvaran, Sangeeta: “L’amour sacré, l’amour profane – Love, sacred and profane”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Goumenou, Agatha: “The female costume (sagiana) of Pogoni and the local dances”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Gorman, Suzanne: “We will dance (Glory and honor)” Symbolic movements”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Clark, Lori: “The new traditional Kuwaiti sword dance”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Willem, Lydie & Prevots, Naima: “No borders or boundaries, and new dimensions. An Erasmus University project”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Tsaousis, Vassilios: “Traditional Kleft dances preserved by the Sarakatsani”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Timmons, Wendy & Aligizakis, Agisilaos & Gigourtakis, Spyros: “Traditional Cretan dance, past and present training methods. Initial investigation and suggestions for interventions in future training”, 17th International Congress on Dance Research, Na

Stevens, Christel: “Bringing Manipuri dance to the world stage”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Steingress, Gerhard: “The appropriation of the heterogeneous. The Andalusian genre and the school of gypsified dance in the Paris of romanticism (1833-1865)”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Sporton, Gregory: “A degree of confusion: Does Higher Education in the U.K. understand dance just yet”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Smith, Karen Lynn: “The spititual foundations of dance”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Rosen, Gary: “Creating a ballet archive as a contribution to dance education”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Nilsen, Norvald: “Dancing: An activity just for girls”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Milinkovic, Dragan: “Dance in Montenegro”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Mastrangelo, Diego Gonzalez: “Fidelity to historical truth or novelty?The case of Argentine tango”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Kritsioti, Marigoula: “Observations on the circle as a dance shape”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Krantz, Göran & Merker, Bjorn & Madison, Guy: “Melodic intervals and body movement”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Kramer, Klaus: “Dance didactics applied to children”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Kongas, George: “Traditional Greek dance in education”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Armenia”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Kavakli, Evangelia & Bakogianni, Sophia & Karkou, Vassiliki: “The WebDance Project: Web dance for all using advanced e-learning tools”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Kardaris, Dionisis & Sarakatsianou, Zoe: “The lead dancer’s improvisation as a basic element of the dancing expression in the traditional dances of Zakynthos”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Allenby Jaffé, Margaret: “Folk dance in education”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Allenby Jaffe, Nigel: “The dilemma: Fidelity to historical truth or novelty”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Isvaran, Sangeeta: “The aesthetics of Rasa across Southeast Asia. Its varied implications in the contemporary social context”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Hanley, Elizabeth: “Dance: From competition to exhibition? Berlin 1936 to Athens 2004”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Tsaousis, Vassilios: “The changes in traditional dancing and its function. Τhe example of Karpathos Island”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Chestnut, Judith: “The role of the independent dance practitioner in Australia”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Cann, Karen: “Dance in education: International folk dance and the acquisition of learning skills”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Badami, Suman: “The dilemma: Fidelity to historical truth or novelty in the Indian dance form of Bharatanatyam”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Antzaka-Weis, Lily: “Greek dancing at school – The very beginning”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Raftis, Alkis: “La place du corps dans…”, communication. Greboble, Association des Formateurs en Expression-Communication, 1983.

Gergatsoulis, Vassilis: “Neoteric “architectural” shapes of the Karpathian dance-floor”, Proceedings of the 16th Dance Research Congress. Athens, IOFA, 2002.

Bowman, John S.: “Dance at the Columns”

Keller, Gottfried: “Das Tanzlegendchen”, Gesammelte Werke. Stuttgart & Berlin, Gottaschen, 1900?. Reprinted in Über Land und Meer, 18. 1907, p. 458-559.

Anonymous: “Fashions in dancing”. London, The Graphic, 26/01/1884, p.75.

Mérode, Cléo de: Le ballet de ma vie. Paris, Pierre Horay, 1955, 1985.

Naerebout, Frits: Recensie van Alkis Raftis (ed), Choros ke archea Elladha / Dance and ancient Greece, 2 delen, Athene 1991. ISSN 1018-0982 / 1018-0990, VDO-BULLETIN 2, 1993

Flitch, J.E. Crawford: Modern Dancing and Dances. London, Grant Richards, 1912, 228 p. [Beaubourg]

Les livres illustrés. — La Danse, par Gaston Vuillier. (Hachette et Cie, éditeurs.)

Karras, Athan: An overview of Greek Folk Music and Dance. Arabesque Magazine, March-April, 1985, Vol. X, No 6. (p. 4,5,21)

Divoire, Fernard: La danseuse de Diane. L’œuvre, 18e anée, no 11, Novembre 1911, Paris, La belle edition. [Bibli. Arsenal 4o W 1196]

Legrand & Chabrier: Propos avant la Danse. L’œuvre, 18e anée, no 11, Novembre 1911, Paris, La belle edition. [Bibli. Arsenal 4o W 1196]

Allenby Jaffe, Nigel: Folk Dance Conference in Greece

Martin, John: Isadora Duncan and basic dance. An outline for dancers. Magriel, Paul (ed.): Nijinsky, Pavlova, Duncan: Three lives in dance. Da Capo Press, Inc., 1946-1947 [b13490]

Claretie, Leo: La Danse Macabre. Le monde illustré, p.335

Williams, Brandy: Dancing for joy. http://www.speakeasy.org/~bwilliam/dance.html

Williams, Brandy: Greek ritual dance. http://www.speakeasy.org/~bwilliam/greekdance.html

Wordsworth, Christopher: Greece, pictorial, descriptive and historical. London, New Edition, 1882.

Vechten, Carl van: Duncan concerts in New York, in: Magriel, Paul (ed.): Nijinsky, Pavlova, Duncan: Three lives in dance. Da Capo Press, Inc., 1946-1947 [b13490]

Vechten, Carl van: The new Isadora, Magriel, Paul (ed.): Nijinsky, Pavlova, Duncan: Three lives in dance. Da Capo Press, Inc., 1946-1947 [b13490]

Minardi, Kimberly A. (AKA Narah bint Durr): Bellydance history. A brief outline. http://www.tribalbellydance.net/papers/bellydance_history%20a%20brief%20outlinle.htm

Minardi, Kimberly A. (AKA Narah bint Durr): Pre-17th Century Middle Eastern Dance. http://www.tribalbellydance.net/papers/dancepaper.htm

Manou, Rallou: Greek Chorodrama. Typed part (p. 190-194) from the book b2612 [Ελληνικό Χορόδραμα 1950-1960, Αθήνα 1961]

Elytis, Odysseas: Greek Chorodrama. Typed part (p. 195-196) from the book b2612 [Ελληνικό Χορόδραμα 1950-1960, Αθήνα 1961

Heppenstall Rayner , From Apology for Dancing, part of the book What is Dance? Edited by Roger Copeland and Marshall Cohen [b100048], p. 267-288

Heppenstall Rayner , The Philosophy of the Modern Dance, part of the book What is Dance? Edited by Roger Copeland and Marshall Cohen [b100048] p.305-307

Cowley, Robert: “Our dancing daughters”, Horizon, Autumn 1967, Vol. IX, No 4. [98-99 pages].  From the book: Horizon: 1966(2-4), ’67(1-4), ’68(1-4), ’69(1-4), ’70(1-4), ’71(1-4), ’72(1-4), ’73(1-4), ’74(1-4), ’75(2,3), ’76(1-4), 77(1-4). USA, American Heritage Publishing.

Cowley, Robert: “Our Dancing Daughters”. From the book b12082 Horizon, Autumn 1967, Vol. IX, No 4. [98-99 pages]

Highwater, Jamake: Dancing in the Seventies. Horizon, May 1977, (12082 ΘΕΧ), p.30-34

Tattinger, Pierre–Christian, « Serge Lifar, le poète du mouvement », Magazine Paris XVI, Le journal du Maire – No 56, p.16-17, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Eshel, Ruth (Israel): “Dance of Ethiopian Jewry – past and present”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Treu-Kaulbarsch, Andrea (Germany): “Labanotation as a tool for teaching and preserving folk dance”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Vikander, Margarita (Canada): “Dancing through the snowy night”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Longstaff, Scott Jeffrey (U.K.): “Dynamic Body-Space. Rudolf Laban’s choreutic conception”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Chestnut, Judith (Australia): “Dance as a habitat for human development and a product of human activity”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Netting, D. Leslie (U.S.A.): “Lyrical Jazz Dance”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Kardaris, Dionysis & Karfis, Vassilis & Theocharis, Sotiris (Greece): “Determining factors that contribute radically to the …local dance repertoire”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Papandreou, Andreas (Cyprus): “Introduction to the dance Tatsia of Cyprus”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Favier, Narciso Medina (Cuba): “Presentation of the book “Suspended fly of creator angel”, issue about dance, written by choreographer and dancer Narciso Medina Favier.”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Arias, Idalmis Lauzurique (Cuba): “Communitarian work with children and young people”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Favier, Narciso Medina (Cuba): “Training style based on the breath as motive which gives life and impulse to the movement”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Favier, Narciso Medina (Cuba): “Dialogue with the vacuum”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Erkert, Jan (Book by): “Harnessing the wind. The art of teaching modern dance. Human Kinetics, 2003”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Erkert, Jan(U.S.A.): “Modern Dance Technique”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Erkert, Jan(U.S.A.): “A documentary The making of “Turn her white with stones””, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Tai, Juan-ann (Chinese Taiwan): “Embracing the effects of globalisation on dance and dance education in Taiwan”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Soehn, Korinna (Germany): “Dance competitions for children”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Weigand, Gustav: “Γλέντι στους Καλαρύτες το 1889”, Παράδοση και Τέχνη 065, σ. 23, Αθ., ΔΟΛΤ, 09-10/2002. (Απ. Οι Αρωμούνοι (Βλάχοι). Τ.1: Ο χώρος και οι άνθρωποι. Θες/κη, Αφοί Κυριακίδη, 2001 (αρχ. Έκδ. 1894-1895). Μτφ. Thede Kahl.

 Gonzalez, Chard (U.S.A.): “Choreography in the light of time-consciousness. A phenomenological exploration of choreographic practice”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Urbeltz, Juan (Spain): “European ceremonial dances. Some metaphors”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Kainazarova, Akmaral (Kazakhstan): “Indian classical dance Bharatanatyam as a guide to personal reintegration”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Kainazarova, Akmaral (Κazakhstan): “Teaching technique of classical Bharatanatyam”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Kainazarova, Akmaral (Kazakhstan): “Indian classical dance Bharatanatyam”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Varoudaki, Calliope (Greece): “Reviving and promoting the tradition of border island Kastellorizo through its dances”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Spiliakos, Stavros (Greece): “Mobility of dance folk songs”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Theocharis, Sotiris (Greece): “Dances from the village Loutro in Karditsa, Thessaly, Greece”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Hanley, Elizabeth (U.S.A.): “American Jitterbug/Swing”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Hanley, Elizabeth (U.S.A.): “The role of dance in the 1936 Berlin Olympic Games. Why competition became festival and art became political”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Krajac, Marjana (Croatia: “)Berlin-Zagreb research project. Lady Macbeth”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Rosen, Gary (South Africa): “Preserving the diverse range of dance styles at the University of Cape Town (UCT) School of Dance”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Tasso, Liliana (Argentina): “Des Del Bor De, Cuatro centros. The interaction between artists and vulnerable populations. Aesthetic and social-therapeutic scopes”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Tasso, Liliana (Argentina): “Dancer finally falls from the stage”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Urbeltz, Juan Antonio (Spain): “Basque dances”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Hatzidiakos, Despina (U.K.): “Using the example of the closing ceremonies of the Athens Olympic Games to motivate the young to dance”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Bora, Menaka (India): “The body and soul of Sattriya Dance. Organic fusion of dance-theatre, music, spirituality, gender and identity in eighth classical dance tradition of India”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Bora, Menaka (India): “Sattriya dance”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Borio, Emilia (Italy): “The education of the movement and academic dance in the preschool age. A working method”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Copeman, Christopher (U.K.): “The contribution of individual dancers to a community dance tradition”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Serres, Gilbert (Belgium): “Summary of the methodic apprenticeship of the Lift technique and pas-de-deux work”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Serres, Gilbert (Belgium): “Physical demonstration class of the List technique in dance and the pas-de-deux”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Lommel, Daniel (France) & the Aenaon Company (Greece): “Gestaltung”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Serres, Gilbert (Belgium): “Gilbert Serres’s books and next publications”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Otken, Nihal (Turkey): “Movement analysis of a Turkish folk dance type. Karsilama”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Ligda, Annie (Greece): “The role of the senses and perception in the arts and in particular in dance education”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Citro, Silvia (Argentina): “The circular song-dances among the Toba and Mocovi of the Argentinean Chaco. Creativeness and cultural resistance in the indigenous performances”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Pananopoulos, Fotios (Greece): “Choreological map of the Imathia prefecture, Greece”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Kilichian, Naira (Armenia): “The all-Armenian dance Kotsari. Cultural parallelisms”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Farasopoulos, Vasilios (Greece) & Cristea, Elisabeta (Romania): “Glimpses of dance”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Kefalaki, Margarita (France): “Dance tradition in Corsica”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Habermann, Christian (Germany): “Bali. The Legong and the Ketcak dance”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Hobdy, J. Davis (U.S.A.): “Dance as fitness for the mature adult”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Oti, Ismael S. Albelo (Cuba): “The teaching of dance in Cuba”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Printezi-Frangou, Irene (Greece): “Dolls in dance costumes from the “Dolls’ infirmary””, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Ojuade, Jeleel Olasunkanmi (Nigeria): “African dance in diaspora. The Yoruba example from Nigeria”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Delavaud-Roux, Marie-Helene (France): “Ancient Greek dances recreated by Maurice Racol”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Delavaud-Roux, Marie-Helene (France): “Emmeleia, by Maurice Racol”,18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Spyrou, Eleni (Greece): “Which educational system for dance can build effectively the future in the new era ?”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Raikou, Lambrini (Greece): “The Sarakatsani and their dances”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Petropoulos, Dimitris (Greece): “The Kalamatianos and Tsamikos dances in Peloponnese”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Barboussi, Vasso & Vidali, Anna (Greece): “Learning process of Greek dances as a means for the introduction of cultural elements in kindergarten”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Kourti-Kazoulli, Vasilia (Greece): “The dance Sousta as an element of traditional culture. The example of Asklipios, Rhodes”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Fusillo, Lisa & Rhythm McCarthy (U.S.A.): “The dance educator’s role in preserving diversity. Two university programs”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Ligda, Annie (Greece): “The role of the senses in dance education”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Narayan, Usha (India): “Dance rituals as Indian classical dances”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Clancy-Kuhlmann, Patricia (South Africa): “Ancient Greek cultural life and its inspiration for the revived Classical Greek Dance”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Nalcakan, M. & Nalcakan, G. R. (Turkey): “Evaluation of physical fitness parameters of students attending a folk dance department at different classes”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Lambrou, Aliki (Greece): “Costumes of the island of Skyros, Greece”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Kourti-Kazoulli, Vasilia (Greece): “Dance ensemble from the village Asklipio, Island of Rhodes, Greece”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Kongas, George (Greece): “Village festivals at the Lower Vermio of Imathia, Northern Greece”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Kongas, George (Greece): “Two Greek folk dances. Mermingas and Zacharoula”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Kourti-Kazoulli, Vasilia & Kyriazakos, Manolis (Greece): “The dance Sousta in the village Asklipio of the island of Rhodes”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Cotrim, Marta (Brazil): “Introduction to Capoeira”, 16th International Congress on Dance Research , Corfu 30/10 – 3/11/2002 and 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Nikolova, Velichka (Bulgaria): “The 144th “Narodni Boutideli“ High School, an alternative to the schools of arts”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Zendora, Nancy (U.S.A.): “The voice of light”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Clancy-Kuhlmann, Patricia (South Africa): “Revived Classical Greek Dance”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Anastasopoulou, Anastasia (Greece): “The Dance Library”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Langadinos, George (Greece): “Dance ensembles and traditional dance. The case of Eastern Crete”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Kritsioti, Marigoula (Greece): “The order of alignment as dance rule”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Savrami, Katia (Greece): “Teaching through the use of choreological methods”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Veroni-Kammi, Evangelia (Greece): “Books – Folklore Studies in Mykonos”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Vasilakis, Efthymios (Greece): “The traditional costume of the village Kroustas, Merambello Region, Crete”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Green, Valerie (U.S.A.): “From the technique of Erick Hawkins”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Green, Valerie (U.S.A.): ” and “, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Economou, Styliani (Greece): “A dance scene in Balzac’s work. A literary approach to his novel “The ball at Sceaux””, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Loizou-Ioannou, Stavroula (Cyprus): “Dance in Pre-Primary and Primary Education in Cyprus”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Spyrou, Eleni (Greece): “A system of dance teaching through the movement alphabet”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Purkayastha, Prarthana (India): “The parallel movement. Nationalist politics, Tagore and dance in Bengal”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Lindsay, Eddison (Trinidad and Tobago): “A-Feeree. The physical language enhancing the study of African and African Diasporic dance culture”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Andriopoulos, Cristine (U.S.A.): “Performing an American community in dance. The urban phenomenon of the American Tribal Style”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Juncosa, Nuria (Spain): “”Dance Expressions”. A compilation of animation dance movie clips, made in Flash and designed for the Web”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Juncosa, Nuria (Spain): ““Graphic Dance Expressions”. A collection of 8 silk-screens on soft paper, signed and numbered 1/50”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Bellos, George (Greece): “Music and dance. A reference to dance rhythms in Epirus, Greece”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Kofoworola, Ziky (Nigeria): “Dance as reflections of cultural values and practice. Case study of Nigeria dance forms”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Tasso, Liliana (Argentina): “Releasing the joints for an easy dance”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Mexico Vivo Dance Company (Mexico): “Pre-hispanic and Hispanic Mexican folk dances”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Ioannidou, Rea & Stavrinidou-Economidou, Marina (Cyprus): “Announcement by the Cypriot delegation of the venue of the 19th World Congress”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Doulgeraki, Eleni (Greece): “The women’s costume of the village Platanos, Trikala area, Greece”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Iliadis, Iakovos (Greece): “Plato on dance. Historical truth and scientific “allegory””, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Grapsas, Nikos (Greece): “Notation of folk songs. Methodological questions, theoretical and practical approach”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Pavlaki, Katerina (Greece): “Dance techniques and dance styles. Relations and differences”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Kurtisoglu, Belma (Turkey): “Τhe teaching of style in folk dance”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Katsifi, Spyridoula (Greece): “Ethnological project “Places, traditions, dances”. A tribute to Spring rituals”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Smith, Karen Lynn (U.S.A.): “An introduction to American tap dancing”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Weber, Bernhard & Benda-Weber, Isabella (Austria): “Dances and costumes of the Greek Dancing Group “I parea” in Vienna”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Loizou-Ioannou, Stavroula(Cyprus): “Cypriot dances”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Zdravkovic, Mirjana (Serbia and Montenegro): “A view of the origins of dance”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Zdravkovic, Mirjana (Serbia and Montenegro): “Un apercu des origines de la danse”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Bettinali, Maria Chiara (Italy): “Two Italian folk dances”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Aktas, Gurbuz (Turkey): “Dance education in Turkey”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Soyinka, Ayoola & the Ebony Group (Nigeria): “Apepe. A maiden dance from Ijebu land in the Western region of Nigeria”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Pananopoulos, Photis (Greece): “Correspondence between movement and structure in the dances of Macedonia”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Murali, Anuradha & Sejpal, Shilpa (India): “Introduction to Bharathanatyam”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Murali, Anuradha & Sejpal, Shilpa (India): “Three traditional Bharathanatyam pieces”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Giritli, Fatma (Cyprus): “Dance and folk dances in North Cyprus”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Vasilakis, Efthymios (Greece): “Four dances from the village Kroustas in Merambello, Crete”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Langadinos, George (Greece): “A company of friends from the village Kroustas Merambellou, Crete”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Cheilari, Anastasia (Greece): “The dance tradition of the village Leonidio in Arcadia, Greece”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Dimolas, Naoum (Greece): “Songs and dances of Siatista, Northern Greece”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Diakoumi, Fevronia (Greece): “The Klidonas custom”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Arbid, Nabila (Spain): “Basic movements for Middle Eastern dance (Oriental dance), technique Nabila Arbid”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Arbid, Nabila (Spain): “Modern Oriental dance”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Arbid, Nabila (Spain): “Oriental dance in Lanzarote, Canary Islands, Spain”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Buesch, Corina (Switzerland): “Introduction to the Franklin MethodLecture-Demonstration”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Umino, Bin & Soga, Asako (Japan) &Longstaff, Jeffrey Scott (U.K.): “Web3D Dance Composer…user-editable simulation system”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Alcalay, Nina (Greece): “Step-ping into myself”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Ramesh, Rajyashree (India): “Crossing bridges. Meeting points and melting barriers in/through dance”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Ramesh, Rajyashree (India): “Crossing bridges”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Risimkin, Risima (FYR of Macedonia): “The current state of dance in the FYR of Macedonia”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Risimkin, Risima & Skalovska, Elisaveta (FYR of Macedonia): “Memories”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Yamac, Mustafa & Erdemir, Erkan & Kockar, M. Tekin (Turkey): “Historical, sociological and ethnographical properties of Anatolian folk dances”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Gutierez, Ixela (Mexico): “Concheros, Mexico”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Andriopoulos, Cristine (U.S.A.): “Celebrating the union of the Congress with Raqs Sharki”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Evergreen Black Heritage Dance Troupe (Nigeria): “Two Nigerian dances – Akoto and Daiwa”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Girmen, Pinar & Kockar, Tekin (Turkey): “A study of folkdance and its role in education”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Godbole, Savita (India): “Lucknow Gharana Kathak dance of India. A “diversity” of Abhinaya (the Body Expressions) on a Thumari”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Zagouras, Nickolas (Greece): “The Tsamikos dance rhythm in the Greek national anthem”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Koukovitis, Charis & Ponidou, Stella (Greece): “Autumn in Kokkinoplo. Works, songs, dances”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Beskou, Christina (Greece): “Floor barre exercises”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Langadinos, George (Greece): “Traditional Cretan knives and a book”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Kyprianou, Cypros (Cyprus): “”Steps of Peace” All-Cyprus Dance Ensemble”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Colak, Hassan (Turkey): “Turkish folk dance costumes and musical instruments”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Stavrou, Caterina (Greece): “Primitive Expression. A dance therapy technique”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Vissel, Anu (Estonia): “The position of folk dance in the culture and recreation of the Estonians”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Belzile, Myriam (Canada): “Milenka Niederlova (1924-1992), pioneer of dance in Quebec”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Tritsibidas, Yannis (Greece): “The Spring rites”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Ververi-Krause, Maria (Greece): “Musical memories of a woman from the island of Samothraki”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Ulker, Gokhan (Turkey): “Turkish dances”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

karayanni, Stavros (Cyprus): “Masculinity and Oriental dance. Myths, cults, and politics”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Peslis, Constantinos (Greece): “Coservation and otherness in a pre-industrial society”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Lardoutsou, Eleftheria (Greece): “Costumes and handicraft of Tilos, Dodecanese Islands, Greece”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Lardoutsou, Eleftheria (Greece): “Dances of Tilos, Dodecanese Islands, Greece”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Douka, Stella & Kaimakamis, Dimitris & Sofianidis, George (Greece): “The History of Pontos from the Antiquity till today”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Buesch, Corina (Switzerland): “Introduction to the Franklin Method Class”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Schmidmair, Erika (Germany): “Donauschwaebische Trachtengruppe Friesing”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Schmidmair, Erika (Germany): “German folk dances from the Donau Schwaben region”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Douka, Stella & Kaimakamis, Dimitris & Sofianidis, George (Greece): “The character of dance in the Antiquity and today … in ancient historians and Greek tradition”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Lomme, Daniel (France): “An interpretation to the meaning of gesture”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Lomme, Daniel (France): “How to transmit a choreography”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Lomme, Daniel (France): “Comment transmettre une choregraphie”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Petropoulos, Dimitris (Greece): “Dance Group “Dionysos” from Argos”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Petropoulos, Dimitris (Greece): “Company of villagers from Limnes, Argos area”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Shah, Parul (India): “Dance education in India”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Kriegel, Karen (U.S.A.): “T’ae’Pyong Mu – The orincesses dance of peace, prosperity and tranquility”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Kriegel, Karen (U.S.A.): “The facts and artifacts of traditional Korean dance. A brief survey of traditional Korean dance in and out side of the Korean peninsula”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Niwenshuti, Theogene Totto (Rwanda): “Overview of the dance in Rwanda”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Belzile, Myriam (Canada): “Hommage to Iro Valaskakis Tembeck (1946-2004)”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Slaneva-Hadjimanova, Jagoda (FYR of Macedonia): “Theatre of Motion in Macedonia. Rahim Burhan’s group “Pralipe””, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Romanou, Francesca (Greece): “The diversity of dance as opposed to the uniformity of marching”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Bonda, Eva (France): “The neural coding of dance movement”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Mitsis, Mits (Greece): “The dance at Mourgana, Epirus, Greece”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Llebeili, Yesmin (Argentina): “Arabic dance”

Ramachandran, Anandi (U.S.A.): “The healing science of yoga, dance and spirituality”

Cann, Karen (Canada): “Much more than movement: Dance as an expression of spirit”

Kefalaki, Margarita (France): “”Traditional” dances of Corsica and international opening”

Wenn, Britta Nuriyya (Belgium): “Colours of Egypt – Egyptian Oriental Dance and Folklore”

Parafinczuk, Krystyna: “The evolution Of boogie-woogie: The meaning, the music and the dance”

Edwige, Dioudonnat (France): “Playing variations around Kathak dance”

Smith, Karen Lynn (U.S.A.): “Mask, ritual, & dance: Art initiatives of three primary cultures of the Primitive World”

Varoudaki Kalliopi (Greece): “An Unknown Dance”

Kapsali, Nancy (Greece) & Roberts, David (U.K.): “Ballroom Dancing”

Varoudaki Kalliopi (Greece): “An Unknown Dance”

Kapsali, Nancy (Greece) & Roberts, David (U.K.): “Ballroom Dancing”

Verma, Amit (Kumar) (India): “Experimental effects of dance sequences on body and mind

Andriopoulos. Cristine (U.S.A.): “American Identity? Hybrid Culture in an Intercultural Dance and Music Experiment”

Andriopoulos. Cristine (U.S.A.): “Middle Eastern Dance, New York Style”

Chestnut, Judith (Australia): “Sewing the sensuality of natural growth in dance”

Papandreou, P. Andreas (Cyprus): “Zeipekikos dance from Cyprus”

Francois, Jacques Michel (U.S.A.): “Compas Dance”

Francois, Jacques Michel (U.S.A.): “Compas Dance”

Mosusova, Nadezda (Serbia & Montenegro): “Slav soul and Greek blood Zorba the ballet”

Kardaris, Dionysios (Greece): “Dance inside history”

Moraitou, Maria (Greece): “The Greek dance in painting”

Fontano, Joseph (Italy): “Healthier life style through dance and movement”

Clark, Lori (U.S.A.): “The flying carpet: A journey in rhythm and dance”

Lazou, Anna: Butoh and ancient Greek dance

Ioanou-Loizou, Stavroula (Cyprus): “Cypriot female face to face dances”

Wise, Josephine (U.K.): “Raising the profile of Middle Eastern dance”

Cirigliano, Anna (Italy): “Dance of ancient Rome”

Katsarou, Ioanna (U.K.): “”Filellines” Dance Goup”

Lee, L. Karen (Greece): “Recruiting, training, and managing volunteers in a non-profit dance organization”

Baneviciute, Birute (Lithuania): “Dance communication skills as an education object”

Subramanian, Shobha (U.S.A.): “Two pieces in the rare Mohiniattam dance style from Kerala, India”

Philippou, Maria (Cyprus): “Middle Eastern dance”

Philippou, Maria (Cyprus): “Belly Dance performance”

Delavaud-Roux, Marie-Helene (France): “More than movement : the use of voice in ancient Greek dance”

Severis, Rita (Cyprus): “Dance in travel writing, 1750-1950”

Acha, Simon fou (Cameroun) & Itoe-Wase, Judith (Cameroun) & Agbor, Lawrence Etta (Cameroun): “Dances from Cameroun”

Badibanga, Beya (Congo (Kinshasa)): “Dances from Congo”

Giannopoulos, Constantinos – Fivos (Greece): “Music and dance records in prerevolution era of Greece from Edward Jones”

Risimkin, Risima (Macedonia FYROM): “Schiller and the dance”

Karayanni, Stavros Stavrou (Cyprus): “Solo oriental dance”

Chatzigeorgiou, Sylvia (Cyprus): “Solo oriental dance”

EL DYK (Cyprus): “Greek Dances”

Voro Klini-1 (Cyprus): “Greek Dances”

Voro Klini-2 (Cyprus): “Cypriot dances”

Dance For-Peace (Cyprus): “Greek and Turkish Cypriot dances”

Ioannidou-Madela, Rea (Cyprus): “Dance performances in Cyprus”

Anastasopoulou, Anastasia (Greece): “Various publications on dance”

Papadopoulou, Thalia-Maria (Greece): “Indian dance and its expression through technique and mimicry”

Ivanova, Daniela (Bulgaria): “A proposed method for the teaching of dance and ethnography at Bulgarian secondary schools”

Ivanova, Daniela (Bulgaria): “Bulgarian Traditional Dances from Central West Bulgaria”

Venkatesh, Padmaja Suresh (India): “Bharatanatyam Dances”

Torres-Villanueva, Patricia Elizabeth (Mexico): “Brain enhancement through ritual dance”

Torres-Villanueva, Patricia Elizabeth (Mexico): “Therapeutic aspects of prehispanic dance”

Kritsioti, Marigoula (Greece): “The dance and the history of Apolakkia”

Hadjigeorgiou, Savvas (Greece): “Ceremonies and their dances inside Cypriot wedding”

Wise, Josephine (U.K.): “Raising the profile of Middle Eastern dance”

Kritsioti, Marigoula (Greece): “Dances from Karpathos”

Kommineni, Lakshmi (U.S.A.): “Indian classical dance form Bharatayatyan”

Barbone, Annalisa (Italy): “Stella Maris dancing Mandala oracle cards”

Barbone, Annalisa (Italy): “Stella Maris dancing Mandala N. 88 roots-element Earth”

Barbone, Annalisa (Italy): “Stella Maris dancing Mandala N.10 love – element air”

Spyrou, Eleni (Greece): “Dance in pre-school education”

Danitz, Marilynn (U.S.A.): “Dance as we knew it and what it is to become”

Stevens, Christel (U.S.A.): “Dance performed by Christel Stevens”

Ojuade, Jeleel Olasunkanmi (Nigeria): “A Study of Gese Dance of the Yorubas”

Kramer, Klaus: “Tanzenterricht im Wandel der europaischen Tanzgeschichte Eine Herausforderung an die historische Tanzforschung”, 14th International Congress on Dance Research, Aridaia, Greece, 13-17/9, 2000.

Ivanescu, Mariana: “The evolution of ballet in Romania from its outset till 1947”, 14th International Congress on Dance Research, Aridaia, Greece, 13-17/9, 2000.

Kongas, George: “Dances of Veria”,16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Sato, Toshiko: “Dance in Noh”, 16th International Congress on Dance Research, Corfu, Greece, 30/10-3/11, 2002.

Maud, Nicolas-Daniel: Danses traditionelles, du monde, urbaines et de société en Provence-Alpes-Côte d’Azur, Repères, No1, Juin 2006.

Chianis, Sam: Some observations on the mixed-dance in the Peloponnesus, Λαογραφία, ΤόμοςΙΗ΄ (1959)

Naerebout, Frederic: “The joys of interdisciplinary research”, 13th International Congress on Dance Research, Athens, 7-11/7, 1999.

Gergatsoulis, Vassilis: “The changes in traditional dancing and its function. The example of KarpathosIsland”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Ivanova, Daniela: “Folk dance education in Bulgaria today. The trainer and the trainee in dance folklore”, 17th International Congress on Dance Research, Naxos, 22-26/10, 2003.

Tzitzikosta, Aikaterini:Message to the 20th World Congress on Dance Research. Athens, 26/10/2006.

Anonymous “Un drame dans un music- hall”. Le Petit Journal, 861. Paris, 19/05/1907, p. 154.

Anonymous: “L’empereur veut qu’on danse à Berlin”. Le Petit Journal, 1311. Paris, 06/02/1916, p. 390.

Anonymous: “Fashions in dancing”, The graphic, 26/01/1884, p. 75. London, 1884.

Kane, Joëlle: Día mundial de la Danza. Homenaje a Alicia Alonso en París. Cuba en el Ballet, Enero-Abril del 2003, 101, p. 2-4.

Matsuura, Koïchiro: Celebración de la Danza y el talento. Cuba en el Ballet, Enero-Abril del 2003, 101, p. 5.

Malandain, Thierry: “C’est quoi la danse neoclassique?”. France, Bulletin d’ information du centre chorégraphique national, Ballet Biarritz, No31, p.10-11, 2006.

Dancre, Sylvie & de Lustrac, Philippe: “L’en dehors dans la marbre”, Danser, 263, 38-44.

Loutzaki, Irene: “The role of folk dance in contemporary Greece”, exc. From [ b13588] Karpodini-Dimitriadi, E.: Ethnography of European traditional cultures, European Seminar Proceedings. Athens, Instit. Of Cult. Stud. Of Eur. and the Med., 1995.

Roehm, Ulrich: “20th World Congress on Dance Research. Promotion of Diversily – Athen, 25. bis 29. Oktober 2006. ” Ballett intern, Januar 2007.

Roehm, Ulrich: “Dora Stratou Greek Dances Theatre Dora Stratou”. Ballett intern, Januar 2007.

Hilldebrand, Karen: “Transition to what?”, Dance magazine, January 2005.

Bottomley, Gillian: «Preface», of Raftis, Alkis: The world of greek dance. Athens, The international organization of folk art – Unesco C., 1987

Raftis, Alkis: Danses grecques “Dora Stratou”, un musée vivant. France, La griffe, Novembre-Décembre 1997.

Djordjevic, Desa: “Methods of work and their problems when working with different groups of folk dancers in Serbia”…

Nilsen, Norvald: ”Living folkdance and the liberal free market”, …

Koroleva, Elfrida: “Antiquity traits in Moldavian folk dance and ballet”, …

Handaka, Sophia: “Performing tradition:The case of the ‘Dora Stratou’ Theatre”, 12th International Congress on Dance Research, Athens, 1-5/7, 1998.

Montez, Beatriz: “The power of rhythm and dance in Manuel de Falla’s music”,

Kilichyan, Naira: “The Armenian dance in contemporary society”, 13th International Congress on Dance Research, Athens, 7-11/7,1999.

Zarifi-Sistovar, Yana: “Setting classical Greek tragedy as Indonesian dance drama – with reference to Euripides’ Hippolytos”, 13th International Congress on Dance Research, Athens, 7-11/7,1999.

Kramer, Klaus: “Tanzdidaktik – Beispiel “Kindertanz”“, 17th World Dance Congress for Dance Research, Naxos 22-26/10/2003. Athens, IOFA, 2003.

Di Lecce, Giorgio: “Presentazione dell’ edizione italiana”, Raftis, Alikis: Il mondo della danza Greca. Firenze, Taranta, 2001.

Lange, Roderyk: “Preface”, Raftis, Alkis: Dances of the whole world on postage stamps. Athens, Dora Stratou Theatre, 1998 (reprinted in 2006).

Cohen, Jeanne Selma: “Preface”, Raftis, Alkis: Dance in poetry. An international anthology of poems on dance. Athens, Dora Stratou Greek Dances Theater & International Dance Council, 1991.

Lewis, Tony: Alkmini brings Greek dancing to Greenbrae, Twin cities times, p. 8, 03/1976.

Zsuzsa, Káan: ” Hungary hasn’t realized yet what opportunities the dance contains”. Meeting with Prof. dr. Alkis Raftis, the president of CID. Tánc müvészt, 02/2003, p 48.

Nakamura, Minako: “Hachigatsu-odori (August Folklore Dance) in the Tokuno-shima Island in Japan”, 14th International Congress on Dance Research, p.359-360. 13-17/9, 2000.

Coros, Mary: “American Cretans dance in Crete”, 13th International Congress on Dance Research, Athens, p.241-244. 7-11/7,1999.

Di Lecce, Giorgio: “Three tarantulas-Tretarante” 15th International Congress on Dance Research, Ioannina, p.65-77. 07-11/11, 2001.

Anoghianakis, Fivos: Récital des chants et des danses populaires grecques. IXme Conrgès International d’études byzantines, Thessalonique, 12-25 Avril 1953.

Kramer, Klaus: “Volkstanz – griechisch”. Informationen zum Tanz, 24, 21-23/11/2007, Deutscher Bundesverband Tanz E. V., Germany, 2007, p.7,8. [b13624]

Boisseau, Rosita Au petit bohneur la danse, Télérama Paris, 277, 04/1998.

Guichard, Marie-Thérèse: “Danse rétro, Les quinqua requinqués”, Le Point, 950, 12/1990.

Anonyme: “C’est quoi le pas de deux?”. France, Bulletin d’ information du centre chorégraphique national, Ballet Biarritz, No33, p.07-09, 2006.

Ferris, Kelly: “Dancing words: a dancer on dance in poetry”, Poetry & poetics, Issue 8/9, p. 73.

Extraits de la loi 89-468 et du décret 92-193 sur l’enseignement de la danse. Arcade. Agence Régionale des artes du spectacle . Provence-Alpes-Côte d’Azur 2004-2006, p. 57, 58.

Clifford, Mary Louise: “Afghan music and dance”, Tradition and Art 060, p. 23, Athens, I.O.F.A., November – December 2001. From her book: The land and people of Afghanistan. New York, Lippincott, 1962.

Chaffetz, David: “A dancer, in other words, a female impersonator”, Tradition and Art 060, p. 25, Athens, I.O.F.A., November – December 2001. From his book: A journey through Afghanistan. A memorial. Chicago, Regnery, 1981.

Unknwon: “Dance in Afghanistan – suite”, Tradition and Art 062, p. 18, Athens, I.O.F.A., March – April 2002. From Los Angeles Times, 26 Feb. 2002

Naerebout, G. Frederick: “The past, present and future of Dance History”, Tradition and Art 062, p. 20-21, Athens, I.O.F.A., March – April 2002.

Tristram, H.B.: “Dances in Palestine”, Tradition and Art 063, p. 18-19, Athens, I.O.F.A., May – June 2002. From his book: The land of Israel. Journal of travels in Palestine. London, 1882 (original 1865).

Buckle, Richard : “A dance critic on Aristophanes’ «The birds» by the Greek Art Theatre of Karolos Koun, 24/05/1964”, Tradition & Art 069, p. 7 , Athens, I.O.F.A., 5-6 2003. From book: Buckle at the ballet. N.Y., Atheneum, 1980, p. 217-218.

Battuta, Ibn: “Fire-dancing in Wasit, Iraq”, Tradition & Art 071, p. 6 , Athens, I.O.F.A., September – October 2003. From the book: Voyages. Traduction de l’arabe de C. Dufremery et B. R. Sanguinetti (1858). Paris, Maspero, 1982. [Trocadero]

Gibb, H.A.R. (ed. & transl.): “Dance as prayer, Luristan, Northern Iraq”, Tradition & Art 071, p. 9 , Athens, I.O.F.A., September – October 2003. From the book: The travels of Ibn Battuta, 1325-1354. Cambridge, Hakluyt Society, 1962, 2 vols.

The New Orleans International Ballet Conference: “The Bicentennial through dance”, Tradition and Art 70, p. 18, Athens, I.O.F.A., July – August 2003.

Bartram, William: “Dances of the natives of North America”, Tradition and Art 087, p. 6-7, Athens, I.O.F.A., May – June 2006. From the book: Travels through North & South Carolina, Georgia, East & West Florida… Philadelphia. James & Johnson, 1791.

Anonymous: “A Cree Indian thirst dance”, Tradition and Art 087, p. 16, Athens, I.O.F.A., May – June 2006. The Graphic, London, 20⁄11∕1881, p. 534.

Donahue, Barbara: “The evolving art of American belly dance”, Tradition and Art 093, σελ. 6-7, Athens, I.O.F.A., May – June 2007. From her book: The Dancing Spirit of Rhode Island.

Stergiopoulou, Ariadne – Daphne: “Dance – Rhythm – Identity: The case of Goumenissa”, 12th International Congress on Dance Research, Athens, 1-5/7/1998.

Farasopoulos, Vasilis: “The traditional def of Cappadocia in Askites Rodopi”, 12th International Congress on Dance Research, Athens, 1-5/7/1998.

Goulimaris, Dimitrios & Serbezis, Vasilios: “The senior Personner of Greek Conveyos in Traditional Dance”, 12th International Congress on Dance Research, Athens, 1-5/7/1998.

Treu-Kaulbarsch, Andrea: “Labanotation as a tool for teaching and preserving folk dance”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Gunji Masakatsu and Selma Jeanne Cohen: Virtuosity and the aesthetic Ideals of japanese dance and virtuosity and the aesthetic ideals of western classical dance. DANCE AS CULTURAL HERITAGE Volume I. Congress on Research in Dance,Inc, New York, 1983

Ortolani, Benito: Spirituality for the dancer-actor in zeami’s and zenchiku’s writings on the No. DANCE AS CULTURAL HERITAGE Volume I. Congress on Research in Dance,Inc, New York, 1983.

Havens, Thomas R.H.: Rebellion and expression in contemporary japanese dance. DANCE AS CULTURAL HERITAGE Volume I. Congress on Research in Dance,Inc, New York, 1983.

Kozo, Yamaji: Early kabuki dance. Dance as cultural heritage Volume I. Congress on Research in Dance, New York, 1983.

Honda, Yasuji: Reflections on dance, its origins, and the value of comparative studies. DANCE AS CULTURAL HERITAGE Volume I. Congress on Research in Dance,Inc, New York, 1983.

Nishiguchi, Ann K.: Okinawan koten udui. DANCE AS CULTURAL HERITAGE Volume II. Congress on Research in Dance,Inc, New York, 1985.

Rutherford Malm, Joyce: The meaning of iemoto seido in the world of nihon buyo. DANCE AS CULTURAL HERITAGE Volume II. Congress on Research in Dance,Inc, New York, 1985

About Kabuki Theater. Gerald Jonas: Dancing, The pleasure, power, and art of movement, New York, Harry N A Blams. Inc, 1992

Shaw, Mary Lewis: “Ephemeral signs: Apprehending the idea through Poetry and Dance”, Dance Research Journal, 20/1, Summer 1988, pp. 3-9.

Pronko, Leonard C.: Shin buyo and sosaku buyo. DANCE AS CULTURAL HERITAGE Volume II. Congress on Research in Dance,Inc, New York, 1985.

Gagaku – Bugaku. Gerald Jonas: Dancing, The pleasure, power, and art of movement, New York, Harry N A Blams. Inc, 1992

Guide de développement professionnel à l’intention des gestionnaires culturels au sein d’organismes en danse. Par: Pierre Morin & Dominic Simoneau. Regroupement québécois de la danse