Articles by CID Members

Sánchez-Izquierdo, M; Morillo-Baro, J. P; Quiñones, Y; Morales- Sánchez,V; Hernández- Mendo, A. (2021). Sistema de observación para la evaluación técnica en la danza clásica: ejercicio del plié. Cuadernos de Psicología del Deporte, 21(2), 72-84.

Sánchez-Izquierdo, M; Morillo-Baro, J.P; García-Rabaneda, J.A.; Morales- Sánchez,V.; Hernández-Mendo, A. (2023). Sistema de observación para la evaluación técnica en la danza clásica: ejercicio del battement tendu. Cuadernos de Psicología del Deporte, 23(1), 103-115.

Serrano Francisco José Sobrino: Overuse Injuries in Professional Ballet Injury-Based Differences among Ballet Disciplines

Serrano Francisco José Sobrino: Overuse Injuries in Professional Ballet Influence of Age and Years

Bahrain leading magazine “Woman”, pages 64-65: “Rakic, Marija”

Rakic, Marija: The importance of teaching dance to children after the Covid-19 Pandemic

Dhawan, Prisha: Physiological and therapeutic impact of Bharatanatyam classical dance, Student Class XII-

Gordeeva, Olga (Ukraine): Академізація польського народно-сценічного танцю формотворчими елементами класичної хореографії

Kaur Dhillon, Nehmat:GURU NANAK DEVJI- TRUE EMBODIMENT OR DANCE OF TRUTH

Kaur Dhillon, Nehmat: Bridging Fashion & Wellness with Somatic Dance approach

Profa. Alicia M. Oliveras: La Estabilidad Mental mediante la Danza dentro de la Inestabilidad Mundial de los Tiempos

Barbosa Marques, Igor: Linguagem, Arte e Afetividade Paraguay, Universidad Interamericana, 2022, 123 p.

Kondratova, Aelita (ed.): Proceedings of the 36th World Congress on Dance Research, Saint Petersburg, 2013. Saint Petersburg, 2015.

Rajarshi Betha, Aishwarya: Everyday Kuchipudi by Aishwarya Rajarshi

Raftis, Alkis: Traditional work attitudes in the building trades (in Greek), Mining World 95, 11-12. Athens, 1982.

Raftis, Alkis:Mule-caravans. Past centuries’ transporters in Greece (in Greek), Greece and International Transport 25, 22-24. Athens, 1982.

Raftis, Alkis:The body as carrier of social history (in French), 4th Conference of the Association of Educators in Expression and Communication, 101-126. Grenoble, 1983.

Raftis, Alkis: Shared tasks and communal celebrations in rural Greece, with Gillian Bottomley, Journal of Intercultural Studies 5/1, 22-32. Sydney, 1984.

Raftis, Alkis: Tradition and folklore in Greek dance (in Greek), Kanonaki 1, 38-41.

Athens, 1984.

Raftis, Alkis: The body as carrier of local history (in French), Danse et Enseignement, 17-18. Dijon, 1984.

Raftis, Alkis: The IOFA office in Athens, Contact, Winter 1985, 24-26.

Raftis, Alkis: Dance in Greece, Λαογραφία newsletter of the international greek folklore society, Vol. 2, No. 8, 2-7, California, U.S.A., 1985.

Raftis, Alkis: Système social et système de danse: La ronde à Karpathos, 2ème Congrès International sur la Recherche en Danse, Université de Paris-Sorbonne, Paris 29/09/1986-03/10/1986. Paris, 1986.

Raftis, Alkis: 8. A Systems-Theory approach to the study of dance-related social activities (with Stavros Goutsos), 1st International Conference “Folk Dance Today”, 51-57. Athens, International Organization of Folk Art, 1987.

Raftis, Alkis: Dance and society in Greece (in Japanese), Bulletin of the Japanese-Greek Society. Tokyo, 1987.

Raftis, Alkis: Relationships between song and dance in Karpathos (with Marigoula Kritsioti). 1st International Conference “Folk Dance Today”, 87-98. Athens, International Organization of Folk Art, 1987.

Raftis, Alkis: The body as carrier of social history. Greek dance (in French), La Recherche en Danse 4, 43-54. Paris, 1988.

Raftis, Alkis: Scientific research and publication on dance in Greece – An overview”, International Conference “Beyond Performance: Dance Scholarship Today”. Berlin, International Theatre Institute, 1988.

Raftis, Alkis: The principles and the end of folk dance, 3d World Conference “Folk Dance and Education”. Athens, International Organization of Folk Art, 1989.

Raftis, Alkis: Methodology of research in Dance Ethnography (in French), 4th International Congress on Dance Research. Paris, Universityof Paris IV Sorbonne, 1989.

Raftis, Alkis: A sociological survey on dance (in Greek), Choros 6, 4-63. Athens, Dance and Eurythmics Society, 1989.

Raftis, Alkis: Are folk dancers allergic to text?, CIOFF General Assembly, Povarska-Bystriza, Czechoslovakia, 1989.

Raftis, Alkis: For a natural nutrition in music and dance (in Greek), Natural Nutrition and Life 12, 65-67, Athens, 1989.

Raftis, Alkis: Reprinted in Super Strength 3-4, 52-53. Thessaloniki, 1990and in Selides, 23, 50-51, Athens, 1993.

Raftis, Alkis: Dance research information sources in Greece, 3d International Conference on Dance Research. Morelia, Michoacan, Mexico, Dance Committee of the International Theatre Institute, 1990.

Raftis, Alkis: What is corporate culture, and what it is not (in Greek), Manager 10, 45-46. Athens, 1990.

Raftis, Alkis: The body as carrier of social history. Greek dance (in Greek), Choros 12, 36-42. Athens, Dance and Eurythmics Society, 1990.

Raftis, Alkis: Four poems on women dancers (in Greek), Graphi 10, 325-331. Larissa, 1990.

Raftis, Alkis: Tänze mit Objekten in Griechenland (Dances with Objects in Greece), with F. Chormova, International Conference on Dance Research, Budapest, 1990.

Raftis, Alkis: The ethnographical study of enterprise culture. Notes for the post-graduate course in management. Paris, University of Paris IX Dauphine, 1990.

Raftis, Alkis: A call for a new breed of folk dance teachers, Dance Studies 14, 65-71. Jersey, Centre for Dance Studies, 1991.

Raftis, Alkis: Ancient Greek dance in modern times bibliography (in Greek), Stadion 2/2, 113-120. Athens, 1991.

Raftis, Alkis: A proposal for the European Diploma in Dance (in Greek), Choros (Dance) 4, 18-19. Athens, Dance and Eurythmics Society, 1991.

Raftis, Alkis: Culture as a total product, International Folklore Conference “Dance – Courses and discourses”. Lisbon, INATEL, 1991.

Raftis, Alkis: Auf der Suche nach einem neuen Typus von Volkstanz-Lehrern, Tanzen 9/10, 14-18. Stuttgart, Deutscher Bundesverband Tanz, 1992.

Raftis, Alkis: The legacy of Dora Stratou, Dance Studies 16, 35-55. Jersey, Centre for Dance Studies, 1992.

Raftis, Alkis: Cultural identity and nationalist tendencies, World Conference of the IOFA. Sarvar, Hungary, 1992. Reprinted in: Viltis 51/5, 24-25. Denver, Co. USA, 1993.

Raftis, Alkis: The musical archive of the “Dora Stratou” Theater, with particular emphasis on Macedonian music (in Greek), National Conference “Traditional song in Macedonia“, 101-113. Thessaloniki, Music Center of the Municipality of Thessaloniki, 1993.

Raftis, Alkis: Traditional therapeutics in Loupsiko (Lykorrachi), Konitsa, before 1940 (in Greek, with Chryssoula Tsiou), International Nursing Congress. Athens, University of Athens Faculty of Nursing, 1995.

Raftis, Alkis: A short essay on the Tsifteteli dance (in Greek), En Choro (Dancing) 12, 6. Athens, Dance and Eurythmics Association, 1995. Reprinted in Tradition and dance, 1996.

Raftis, Alkis: A living museum for folk dance, UNESCO Courrier, 01/1996. Published in 30 languages and braille by the UNESCO (United Nations Educational, Scientific and Cultural Organization).

Raftis, Alkis: Costumes for spectacle and knowledge (in Greek), Time in Art, 31-34. Athens, Association of Antiquaries and Art Dealers, 1997.

Raftis, Alkis: La danza ethnografica in Grecia, Sardegna Mediterranea 2, 50-56. Oliena/Sardegna, Associazione Culturale Sardegna Mediterranea, 10/1997.

Raftis, Alkis: Dance in Greece, International Encyclopedia of Dance, New York, OxfordUniversity Press, 1998.

Raftis, Alkis: Dance scholarship in Greece, International Encyclopedia of Dance. New York, Oxford University Press, 1998.

Raftis, Alkis: La primogenita nella danza a Scarpanto, Sardegna Mediterranea 4, 21-27. Oliena/Sardegna, Associazione Culturale Sardegna Mediterranea, 10/1998.

Raftis, Alkis: Danse, tradition et management, Management et Conjoncture Sociale 544, 46-51. Paris, 23/11/1998.

Raftis, Alkis: Zur Tanzerziehung in Griechenland, Informationen zum Tanz 24, 30-38. Remscheid, Deutscher Bundesverband Tanz, 1998.

Raftis, Alkis: Fidelity instead of authenticity, 8th European Conference of the IOV, Bucharest 10-16/08/1999.

Raftis, Alkis: Quando in Sardegna I mufloni erano tanti, Sardegna Mediterranea 6, 3-9. Oliena/Sardegna, Associazione Culturale Sardegna Mediterranea, 10/1999.

Raftis, Alkis: Greek dance and Dora Stratou (in Greek), Kathimerini, 7 Days Supplement, Greece in the 20th century, 1950-1960, 37-38. Athens, 28/11/1999.

Raftis, Alkis: Dance: From the village square to the ballroom and the scene, Greek song in the 20th century (in Greek), The Sunday Ethnos, 82-85. Athens, December 1999.

Raftis, Alkis: Werktreue statt Authentizität, Tanzen 2000/1, 11-12. Heroldstatt, Germany, 1st quarter 2000.

Raftis, Alkis: Educational programs, cultural exchanges and tourist-oriented activities regarding non-material folk culture, Acts of the UNIMED Symposium “Non-material cultural heritage in the euro-mediterranean area”, 237-245. Roma, Università degli Studi Roma Tre, 2000.

Raftis, Alkis: Episodi di brigantaggio ottocentesco, Sardegna Mediterranea 8, 10-17. Oliena/Sardegna, Associazione Culturale Sardegna Mediterranea, 2000.

Raftis, Alkis: Two Histories, Tradition and Art 054, pp. 3-4, Athens, International Organization of Folk Arts, November-December 2000.

Raftis, Alkis: Craft and industry in cultural production. 2000

Raftis, Alkis: Intangible Heritage, Tradition and Art 061, p. 12-13, Athens, I.O.F.A., January – February 2002.

Raftis, Alkis: Save our Dances, Tradition and Art 062, p. 19, Athens, I.O.F.A., March – April 2002.

Raftis, Alkis: Phantom cultural organizations (in Greek), Tradition and Art, 68. Athens, IOFA, 03/2003, p. 9-13. Reprinted in the magazine Anti, 790. Athens, 13/06/2003, p. 54-56.

Raftis, Alkis: The mode of naming dances. The socio-cultural context of a Macedonian dance tradition (with Anna Lazarou & Philippos Philippou, Maria Michaltsi & Fani Lazarou), Studia Choreologica, 6. Poznan, Poland, Fundacja Instytut Choreologii, 2004, p. 25-47.

Raftis, Alkis: Libros de historia de la danza, Chile Danza, 13. Santiago de Chile, Departamento de Danza de la Facultad de Artes de la Universidad de Chile, 2008, p. 19-23.

Raftis, Alkis: A satellite view of dance in the world. Tendencies, transformations and technology. Shanghai International Dance Fair, 25/09/2010-30/09/2010, Shanghai, China

Raftis, Alkis: Dance in Greece in the 20th century (in Greek), Alter Vita, Athens, 2011, p. 42-44.

Raftis, Alkis: Stopping the decline of folk dance groups, Notiziario UFI, June 2011

Stopping the decline of folk dance groups, 2

Raftis, Alkis: VII International Contest for choreographers and ballet masters, Novosibirsk, february 1-5, 2012

Ms. Angela Stöcklin: Co – relations

Ms. Annette Tia Thomas: Why Ballet Specifically Geared for Skaters is the Best Choice

Lazou, Anna: The Ancinet Greek Drama in the light of Orchesis

Lazou, Anna: “Αncient myths, traditional civilization and contemporary dance theatre”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Lazou, Anna: “The social character of ancient dance as contribution to the psychophysical balance of man, 3rd world conf., 107-108. Athens: IOFA, 1989.

Lazou, Anna: “Following the traces of Dionysus. Dance-Body-Theatre. A theoretical and practikal workshop”, 16th International Congress on Dance Research, Corfu, p.371-372. 30/10-03/11, 2002.

Ms. Dr. K.R. Archana: Dancing is a mirror!

Ms. Dr. K.R. Archana: Salsa quotes by Archana

Ms. Vrinda Chadha: The story telling sculptures of Jagannath Temple, Odisha

Ms. Judith Lynne Hanna: Children and Dance /Children and Dance. Contents/

Preciado-Azanza, G.; Akinleye, A. (2020). Dancing the Digital Age: a survey of the new technologies in the choreographic process. Journal of Genius and Eminence, vol 5, pp 37-52

Preciado-Azanza, G. (2020). St. Petersburg The Pygmalion Effect Eiffman Ballet. Dance Europe, vol 248, pp. 94-95

Preciado-Azanza, G. (2020). La Escuela de Riga y la Unión Soviética en el devenir de la carrera artística de Alicia Alonso. Revista Danza en Escena, vol 45, pp. 32-33

Preciado-Azanza, G. (2019) Giménez-Morte, C., Soprano Manzo, V., Bayarri Furió, A., Tena Medialdea, M.D. & Mesa García, S. (eds) (2018). La Investigación en Danza. Sevilla 2018. 10º Aniversario. Valencia: Ediciones Mahali, Acotaciones. Investigación y Creación Teatral, vol. 43, pp. 339-341

Preciado-Azanza, G.; Akinleye, A. (2019). A Quarreling Pair (2007) by Bill T. Jones, a reference in dance of the digital age, Manchester: 5th Re: Generations Conference. Dance and the digital space

Preciado-Azanza, G. (2019). Igor Moiseyev State Academic Ensemble of Popular Dance, Dances of the World,. Revista Danza en Escena, vol 45, pp. 27

Preciado-Azanza, G. (2014). How has Wayne Mcgregor used Science to develop his choreography in the 21stcentury dance?. London: English National Ballet School. 52 pp

Preciado-Azanza, G. (2019). Understanding the impact of new technologies on the creative process in the 21stCentury Professional Dance, Athens: 54th World Congress on Dance Research

Preciado-Azanza, G. (2018). Professional Inquiry: Understanding the impact of new technologies on the creative process in the 21st Century Professional Dance. London: Middlesex University. 81 pp

Oleinikova Tatyana Mihailovna: Education through ART

Barbara Thompson: Segretos inconfesables de una bailarina. Libro 2: El secreto de las castanuelas.

Cañabate, D. & Rodríguez, D.: Body, movement and dance project: a transversal and exploratory approach within the physical education minor of the degree in primary education. Alicante, Federación Española de Asociaciones de Docentes de Educación Física (FEADEF), 2017, 8 pages. Keywords: Physical Education dance, movement, inquiry, creative process.

ISBN 978-84-947242-2-0

Cañabate, D; Rodríguez, D & Zagalaz, M.L.: Physical education and dance: assessment of its inclusion and development in primary schools in the province of Girona. Barcelona, Apunts, 2016, 14 pages. Keywords: physical education, dance, primary education, teacher training. ISSN-1577-4015

Stavrou, Catherina: Greek Traditional Dance And Its Presence In Contempory Greek Society

Chanda Chakraborty: Scopes and Relevance of performing arts and visual arts in our society

Charanya Gurusathya: DANCE AS A CATALYST FOR STRESS BUSTING

Sachs, Curt: Isadora Duncan, in: World history of the dance. New York,
Norton, p. 447-448

Ms. Diniz, Cintia: Ballet for Learner as of 60 Years Old

Ms. Diniz, Cintia: Can dance generate stress and disrupt the child’s performance in school?

Ms. Diniz, Cintia: DANCE-EDUCATION: A PERSPECTIVE ON THE BENEFITS AND CONTRIBUTIONS OF THE DANCE PRACTICE IN THE STRUCTURING OF BODY CONSCIOUSNESS, SELF-CONCEPT AND COGNITIVE DEVELOPMENT OF CHILDREN IN THEIR SECOND CHILDHOOD.

Ms. Diniz, Cintia: The Benefits of Ballet for Adults

Ms. Diniz, Cintia: The Importance of Contextual Assessment of Ballet Dancers

Ms. Diniz Cintia: “How Do Children Learn Ballet Happily?”

Dr. Dolors Cañabate & David Rodríguez: BODY, MOVEMENT AND DANCE PROJECT: A TRANSVERSAL AND EXPLORATORY APPROACH WITHIN THE PHYSICAL EDUCATION MINOR OF THE DEGREE IN PRIMARY EDUCATION

Dr. Dolors Cañabate, Mr. David Rodríguez & Dr. M. Luisa Zagalaz Sánchez: Physical education and dance: assessment of its inclusion and development in primary schools in the province of Girona

Ms. Djokam Tamo Agathe

Ms. Erika Matsunami: B.O.D.Y. – そして、それから

Ms. Fabienne Courmont: C I D UNESCO

Mr. Fidel Pajares Santiesteban: Aportes de la danza moderna a la Cultura Nacional. Presencia de África en la cultura danzaria cubana

Mr. Fidel Pajares: I- Aportes de la danza moderna a la cultura nacional. Música y danza moderna en Cuba.

Mr. Fidel Pajares: Estudio de la obra inconclusa de Ramiro Guerra. Apropósito de su nacimiento

Mr. Fidel Pajares: Estudio de la obra inconclusa de Ramiro Guerra. Apropósito del Aniversario 98 de su nacimiento.

Mr. Fidel Pajares: Repertorio histórico de Ramiro Guerra
Estudio de su obra inconclusa

Mr. Frederick Gerald Naerebout: Another battle fought and lost. Seventeenth century Dutch predikanten and the dance.

Ms. Giovanna Leva Joglekar: A love story of the 19th Century : Jules Perrot and Carlotta Grisi

Ms. Giovanna Leva Joglekar: The Barre in History of Ballet

Ms. Giovanna Leva Joglekar: Reflections on Volynsky

Horacio E. Ruiz (2015), Papeles de la India, Volumen 44, Numero 1

Ms. Judith Chestnut: Tina Wommelsdorf’s “The Infinite Road to the Top”

Möller, Karoline: Protokoll Deutsche Videokonferenz CID, 2020.

Möller, Karoline: Minutes German conference CID, 2020.

Mr. Louis Laberge-Côté: The Porous Body: Cultivating malleability in traditional dance training

Mr. Louis Laberge-Côté: exploring the porous boundaries between teaching
philosophy, dance performance and choreographic practice

K. Majumdar (2017), Dances of Radindranath Tagore: Assimilation of different forms – elements of Dance Therapy, 48th World Congress on Dance Researches – CID at UNESCO, Avignon, France

Ms. Keka Majumdar Chakraborty: AN INDIAN DANCER WHO REVIVED AN OLD DANCE FORM

Ms. Keya Chanda Chakraborty: Scope and Relevance of performing arts and visual arts in our society

Laura Shannon

Ms. Lakshmi Karthik: “Nrithyam” (Dance) , an integral part of Temple Worship With Reference to the Sanskrit Text “Agama Sastra”

Ms. Maria Sabaye Moghaddam: Forbidden dance

Ms. Marie-Helene Delavaud-Roux: Danses féminines, espace de liberté ou de contraintes ? l’exemple des danses initiatiques pour Artémis en Grèce antique. Communication donnée par M.-H. Delavaud-Roux à l’Université de Bretagne Occidentale lors du séminaire “Femmes dominantes ? femmes dominées ?” le 25/02/2011

Mary Bawden: The Scary Trend in Children’s Dance. Hyper-sexualization/Objectification In Movement.

Nicola Keay, AusDancers Overseas, Gavin Francis: Indicators and correlates of low energy availability in male and female dancers

Mr. Naerebout, Frits: Recensie van Alkis Raftis (ed), Choros ke archea Elladha / Dance and ancient Greece, 2 delen, Athene 1991. ISSN 1018-0982 / 1018-0990, VDO-Bulletin 2, 1993

Nehmat Kaur Dhillon: An Embodiment of Healing through Creative Artistic Punjabi Dance Culture and Connections with Somatic Dance Therapy and Practice

Nehmat Kaur Dhillon: Meeting Global Health through Dance Creativity in Developing world

Ms. Nené de Roeder: Los pies más lindos del mundo

Ms. Pratha Sharma: Brihadeshwara Temple of Thanjavur

Ms. Pratha Sharma: DIVINE PURPOSE OF ANCIENT INDIAN CLASSICAL DANCE

Ms. Pratha Sharma: Glories of Cows and why Humans worship them

Ms. Pratha Sharma: LOST ASPECTS OF SHAKTIPEETH TEMPLES

Ms. Pratha Sharma: Mystery surrounding Kalkaji temple in Delhi – Is it not a Sati Shaktipeeth?

Ms. Pratha Sharma: Temple culture of ancient India – A marvel of architectural genius

PRECIADO-AZANZA, G. (2021). Ciencia y Danza. SPACE DIGITAL DANCE. Investigación coreográfica con nuevas tecnologías. Revista Danza en Escena, vol 49, pp. 48-49.

PRECIADO-AZANZA, G., “Paquita: el imaginario de “lo español” en los inicios del Ballet Nacional de Letonia”, en Giménez-Morte, C. et al (eds.). La Investigación en Danza 2020, Madrid/Online, 19-21 noviembre 2020, Valencia, Mahali, 2020, pp. 105-110.

Akinleye, A.; PRECIADO-AZANZA, G. (2020). Dancing the digital beyond-body and the ecological connected-body, ECODATA: 5th Open Fields conference and RIXC Art Science Festival 2020, 8-10 October, Riga (Latvia).

PRECIADO-AZANZA, G. (2020). Tchaikovsky in Riga. Dance Europe, vol. 251, pp. 70-71.

PRECIADO-AZANZA, G. (2020). La influencia de Wayne McGregor en el Ballet Contemporáneo del Siglo XXI. Revista Danza en Escena, vol 46, pp. 17-18.

PRECIADO-AZANZA, G. (2020). Proyecto de la Exposición “Contexto del origen del Ballet Nacional de Letonia: Imperialismo Ruso, Vanguardismo Europeo e Identidad Nacional Letona (1914-1934)”. Barcelona: Universitat Oberta de Catalunya, 47 pp.

PRECIADO-AZANZA, G.; Akinleye, A. (2020). Dancing the Digital Age: a survey of the new technologies in the choreographic process. Journal of Genius and Eminence, vol 5, pp 37-52.

PRECIADO-AZANZA, G. (2020). St. Petersburg The Pygmalion Effect Eiffman Ballet. Dance Europe, vol 248, pp. 94-95.

PRECIADO-AZANZA, G. (2020). La Escuela de Riga y la Unión Soviética en el devenir de la carrera artística de Alicia Alonso. Revista Danza en Escena, vol 45, pp. 32-33.

PRECIADO-AZANZA, G. (2019). Giménez-Morte, C., Soprano Manzo, V., Bayarri Furió, A., Tena Medialdea, M.D. & Mesa García, S. (eds) (2018). La Investigación en Danza. Sevilla 2018. 10º Aniversario. Valencia: Ediciones Mahali, Acotaciones. Investigación y Creación Teatral, vol. 43, pp. 339-341.

PRECIADO-AZANZA, G.; Akinleye, A. (2019). A Quarreling Pair (2007) by Bill T. Jones, a reference in dance of the digital age, Manchester: 5th Re: Generations Conference. Dance and the digital space.

PRECIADO-AZANZA, G. (2019). Igor Moiseyev State Academic Ensemble of Popular Dance, Dances of the World,. Revista Danza en Escena, vol 45, p. 27.

PRECIADO-AZANZA, G. (2019). Understanding the impact of new technologies on the creative process in the 21stCentury Professional Dance, Athens: 54th World Congress on Dance Research.

PRECIADO-AZANZA, G. (2018). Professional Inquiry: Understanding the impact of new technologies on the creative process in the 21st Century Professional Dance. London: Middlesex University. 81 pp.

PRECIADO-AZANZA, G. (2014). How has Wayne Mcgregor used Science to develop his choreography in the 21stcentury dance?. London: English National Ballet School. 52 pp.

Ms. Rakshita Raghunathan: Natya-Art & History

Ms. Rangaradjou, Kamini (2010) : DEVADASI. The system. The problems. The rules regulations. The issues and infractions. (In French), in Bharata Natyam, La Danse classique du sud de l’Inde, L’Harmattan

Mr. Rodríguez, David: Dance, the magical experience of being present . Barcelona, Editorial Graó, 2017, 6 pages. Keywords: Dance, choreography, spirituality, awareness, being present, competences. ISBN: 978- 84-9980-757-7

Duncan, Raymond: La danse et la gymnastique. Paris, conférence faite le
04/05/1914

Ms. Rosa Maria Galan Pons: Direccion y efficacia en los conservatorios de danza

Ms. Silvia Di Pierro: Effect of teaching with or without mirror on balance in young female ballet students

Sotiris Bekakos (2016), To να χορεύεις είναι ανθρώπινο! Γλώσσα και Χορός: βίοι παράλληλοι, ΘΕΑΤΡΟ ΕΛΛΗΝΙΚΩΝ ΧΟΡΩΝ “ΔΟΡΑ ΣΤΡΑΤΟΥ” – Lecture Demonstration

Stevan Ristić: RIMODECH. Rhythmic Interactive Model of Evalution of Cultural Heritage.

Stevan Ristić: The origin of dance.

Tyler Jo Smith: “Komastai or ‘Hephaistoi’? Visions of comic parody In Archaic Greece. Bulletin of the Institute of Classical Studies, Vol. 52 (2009), pp. 69-92

Smith, William: Dance, from A dictionary of Greek and Roman
antiquities. London, John Murray, 1875.