Articles by CID Members

Kondratova, Aelita (ed.): Proceedings of the 36th World Congress on Dance Research, Saint Petersburg, 2013. Saint Petersburg, 2015.

Rajarshi Betha, Aishwarya: Everyday Kuchipudi by Aishwarya Rajarshi

Raftis, Alkis: Traditional work attitudes in the building trades (in Greek), Mining World 95, 11-12. Athens, 1982.
Raftis, Alkis:Mule-caravans. Past centuries’ transporters in Greece (in Greek), Greece and International Transport 25, 22-24. Athens, 1982.
Raftis, Alkis:The body as carrier of social history (in French), 4th Conference of the Association of Educators in Expression and Communication, 101-126. Grenoble, 1983.
Raftis, Alkis:  Shared tasks and communal celebrations in rural Greece,  with Gillian Bottomley, Journal  of Intercultural Studies 5/1, 22-32. Sydney, 1984.
Raftis, Alkis:  Tradition and folklore in Greek dance (in Greek), Kanonaki 1, 38-41. 
Athens, 1984.
Raftis, Alkis:  The body as carrier of local history (in French), Danse et Enseignement, 17-18. Dijon, 1984.
Raftis, Alkis: The IOFA office in Athens, Contact, Winter 1985, 24-26.
Raftis, Alkis: Dance in GreeceΛαογραφία newsletter of the international greek folklore society, Vol. 2, No. 8, 2-7, California, U.S.A., 1985.
Raftis, Alkis: Système social et système de danse: La ronde à Karpathos, 2ème Congrès International sur la Recherche en Danse, Université de Paris-Sorbonne, Paris 29/09/1986-03/10/1986. Paris, 1986.
Raftis, Alkis: 8.  A Systems-Theory approach to the study of dance-related social activities (with Stavros Goutsos), 1st International Conference “Folk Dance Today”, 51-57. Athens, International Organization of Folk Art, 1987.
Raftis, Alkis: Dance and society in Greece (in Japanese), Bulletin of the Japanese-Greek SocietyTokyo, 1987.
Raftis, Alkis: Relationships between song and dance in Karpathos (with Marigoula Kritsioti). 1st International Conference “Folk Dance Today”, 87-98. Athens, International Organization of Folk Art, 1987.
Raftis, Alkis: The body as carrier of social history. Greek dance (in French), La Recherche en Danse 4, 43-54. Paris, 1988.
Raftis, Alkis: Scientific research and publication on dance in Greece – An overview”International Conference “Beyond Performance: Dance Scholarship Today”. Berlin, International Theatre Institute, 1988.
Raftis, Alkis: The principles and the end of folk dance3d World Conference “Folk Dance and Education”Athens, International Organization of Folk Art, 1989.
Raftis, Alkis: Methodology of research in Dance Ethnography (in French), 4th International Congress on Dance Research. Paris, Universityof Paris IV Sorbonne, 1989.
Raftis, Alkis: A sociological survey on dance (in Greek), Choros 6, 4-63. Athens, Dance and Eurythmics Society, 1989.
Raftis, Alkis: Are folk dancers allergic to text?CIOFF General AssemblyPovarska-BystrizaCzechoslovakia, 1989.
Raftis, Alkis: For a natural nutrition in music and dance (in Greek), Natural Nutrition and Life 12, 65-67, Athens, 1989.
Raftis, Alkis: Reprinted in Super Strength 3-4, 52-53. Thessaloniki, 1990and in Selides, 23, 50-51, Athens, 1993.
Raftis, Alkis: Dance research information sources in Greece3d International Conference on Dance ResearchMoreliaMichoacanMexico, Dance Committee of the International Theatre Institute, 1990.
Raftis, Alkis:  What is corporate culture, and what it is not (in Greek), Manager 10, 45-46. Athens, 1990.
Raftis, Alkis: The body as carrier of social history. Greek dance (in Greek), Choros 12, 36-42. Athens, Dance and Eurythmics Society, 1990.
Raftis, Alkis: Four poems on women dancers (in Greek), Graphi 10, 325-331. Larissa, 1990.
Raftis, Alkis: Tänze mit Objekten in Griechenland (Dances with Objects in Greece), with F. Chormova, International Conference on Dance Research, Budapest, 1990.
Raftis, Alkis: The ethnographical study of enterprise culture. Notes for the post-graduate course in management. Paris, University of Paris IX Dauphine, 1990.
Raftis, Alkis: A call for a new breed of folk dance teachersDance Studies 14, 65-71. Jersey, Centre for Dance Studies, 1991.
Raftis, Alkis: Ancient Greek dance in modern times bibliography (in Greek), Stadion 2/2, 113-120. Athens, 1991.
Raftis, Alkis: A proposal for the European Diploma in Dance (in Greek), Choros (Dance) 4, 18-19. Athens, Dance and Eurythmics Society, 1991.
Raftis, Alkis: Culture as a total product, International Folklore Conference “Dance – Courses and discourses”Lisbon, INATEL, 1991.
Raftis, Alkis: Auf der Suche nach einem neuen Typus von Volkstanz-LehrernTanzen 9/10, 14-18. Stuttgart, Deutscher Bundesverband Tanz, 1992.
Raftis, Alkis: The legacy of Dora StratouDance Studies 16, 35-55. Jersey, Centre for Dance Studies, 1992.
Raftis, Alkis: Cultural identity and nationalist tendenciesWorld Conference of the IOFASarvarHungary, 1992. Reprinted in: Viltis 51/5, 24-25. Denver, Co. USA, 1993.
Raftis, Alkis: The musical archive of the “Dora Stratou” Theater, with particular emphasis on Macedonian music (in Greek), National Conference “Traditional song in Macedonia, 101-113. ThessalonikiMusic Center of the Municipality of Thessaloniki, 1993.
Raftis, Alkis: Traditional therapeutics in Loupsiko (Lykorrachi), Konitsa, before 1940 (in Greek, with Chryssoula Tsiou), International Nursing CongressAthensUniversity  of Athens Faculty of Nursing, 1995.
Raftis, Alkis: A short essay on the Tsifteteli dance (in Greek), En Choro (Dancing) 12, 6. Athens, Dance and Eurythmics Association, 1995. Reprinted in Tradition and dance, 1996.
Raftis, Alkis: A living museum for folk danceUNESCO Courrier, 01/1996. Published in 30 languages and braille by the UNESCO (United Nations Educational, Scientific and Cultural Organization).
Raftis, Alkis: Costumes for spectacle and knowledge (in Greek), Time in Art, 31-34. Athens, Association of Antiquaries and Art Dealers, 1997.
Raftis, Alkis: La danza ethnografica in Grecia, Sardegna Mediterranea 2, 50-56. Oliena/Sardegna, Associazione Culturale Sardegna Mediterranea, 10/1997.
Raftis, Alkis: Dance in Greece, International Encyclopedia of Dance, New YorkOxfordUniversity Press, 1998.
Raftis, Alkis: Dance scholarship in GreeceInternational Encyclopedia of DanceNew YorkOxford University Press, 1998.
Raftis, Alkis: La primogenita nella danza a Scarpanto, Sardegna Mediterranea 4, 21-27. Oliena/Sardegna, Associazione Culturale Sardegna Mediterranea, 10/1998.
Raftis, Alkis: Danse, tradition et managementManagement et Conjoncture Sociale 544, 46-51. Paris23/11/1998.
Raftis, Alkis: Zur Tanzerziehung in GriechenlandInformationen zum Tanz 24, 30-38. Remscheid, Deutscher Bundesverband Tanz, 1998.
Raftis, Alkis: Fidelity instead of authenticity, 8th European Conference of the IOV, Bucharest 10-16/08/1999.
Raftis, Alkis: Quando in Sardegna I mufloni erano tanti, Sardegna Mediterranea 6, 3-9. Oliena/Sardegna, Associazione Culturale Sardegna Mediterranea, 10/1999.
Raftis, Alkis: Greek dance and Dora Stratou (in Greek), Kathimerini, 7 Days SupplementGreece in the 20th century, 1950-1960, 37-38. Athens28/11/1999.
Raftis, Alkis: Dance: From the village square to the ballroom and the scene, Greek song in the 20th century (in Greek), The Sunday Ethnos, 82-85. Athens, December 1999.
Raftis, Alkis: Werktreue statt AuthentizitätTanzen 2000/1, 11-12. HeroldstattGermany, 1st quarter 2000.
Raftis, Alkis: Educational programs, cultural exchanges and tourist-oriented activities regarding non-material folk culture, Acts of the UNIMED Symposium “Non-material cultural heritage in the euro-mediterranean area”, 237-245. Roma, Università degli Studi Roma Tre, 2000.
Raftis, Alkis: Episodi di brigantaggio ottocentescoSardegna Mediterranea 8, 10-17. Oliena/Sardegna, Associazione Culturale Sardegna Mediterranea, 2000.
Raftis, Alkis: Two Histories, Tradition and Art 054, pp. 3-4, Athens, International Organization of Folk Arts, November-December 2000.
Raftis, Alkis: Intangible Heritage, Tradition and Art 061, p. 12-13, Athens, I.O.F.A., January – February 2002.
Raftis, Alkis: Save our Dances, Tradition and Art 062, p. 19, Athens, I.O.F.A., March – April 2002.
Raftis, Alkis: Phantom cultural organizations (in Greek)Tradition and Art, 68. AthensIOFA, 03/2003, p. 9-13. Reprinted in the magazine Anti, 790. Athens, 13/06/2003, p. 54-56.
Raftis, Alkis: The mode of naming dances. The socio-cultural context of a Macedonian dance tradition (with Anna Lazarou & Philippos Philippou, Maria Michaltsi & Fani Lazarou), Studia Choreologica, 6. Poznan, Poland, Fundacja Instytut Choreologii, 2004, p. 25-47.
Raftis, Alkis: Libros de historia de la danzaChile Danza, 13. Santiago de Chile, Departamento de Danza de la Facultad de Artes de la Universidad de Chile, 2008, p. 19-23. 
Raftis, Alkis: A satellite view of dance in the world. Tendencies, transformations and technologyShanghai International Dance Fair, 25/09/2010-30/09/2010, Shanghai, China
Raftis, Alkis: Dance in Greece in the 20th century (in Greek), Alter Vita, Athens, 2011, p. 42-44.
Raftis, Alkis: Stopping the decline of folk dance groups, Notiziario UFI, June 2011
Raftis, Alkis: VII International Contest for choreographers and ballet masters, Novosibirsk, february 1-5, 2012

Lazou, Anna: The Ancinet Greek Drama in the light of Orchesis

Lazou, Anna: “Αncient myths, traditional civilization and contemporary dance theatre”, 18th International Congress on Dance Research, Argos, 3-7/11, 2004.

Lazou, Anna: “The social character of ancient dance as contribution to the psychophysical balance of man, 3rd world conf., 107-108. Athens: IOFA, 1989.

Lazou, Anna: “Following the traces of Dionysus. Dance-Body-Theatre. A theoretical and practikal workshop”, 16th International Congress on Dance Research, Corfu, p.371-372. 30/10-03/11, 2002.

Ms. Dr. K.R. Archana: Dancing is a mirror!

Ms. Dr. K.R. Archana: Salsa quotes by Archana

Preciado-Azanza, G.; Akinleye, A. (2020). Dancing the Digital Age: a survey of the new technologies in the choreographic process. Journal of Genius and Eminence, vol 5, pp 37-52

Preciado-Azanza, G. (2020). St. Petersburg The Pygmalion Effect Eiffman Ballet. Dance Europe, vol 248, pp. 94-95

Preciado-Azanza, G. (2020). La Escuela de Riga y la Unión Soviética en el devenir de la carrera artística de Alicia Alonso. Revista Danza en Escena, vol 45, pp. 32-33

Preciado-Azanza, G. (2019) Giménez-Morte, C., Soprano Manzo, V., Bayarri Furió, A., Tena Medialdea, M.D. & Mesa García, S. (eds) (2018). La Investigación en Danza. Sevilla 2018. 10º Aniversario. Valencia: Ediciones Mahali, Acotaciones. Investigación y Creación Teatral, vol. 43, pp. 339-341

Preciado-Azanza, G.; Akinleye, A. (2019). A Quarreling Pair (2007) by Bill T. Jones, a reference in dance of the digital age, Manchester: 5th Re: Generations Conference. Dance and the digital space

Preciado-Azanza, G. (2019). Igor Moiseyev State Academic Ensemble of Popular Dance, Dances of the World,. Revista Danza en Escena, vol 45, pp. 27

Preciado-Azanza, G. (2014). How has Wayne Mcgregor used Science to develop his choreography in the 21stcentury dance?. London: English National Ballet School. 52 pp

Preciado-Azanza, G. (2019). Understanding the impact of new technologies on the creative process in the 21stCentury Professional Dance, Athens: 54th World Congress on Dance Research

Preciado-Azanza, G. (2018). Professional Inquiry: Understanding the impact of new technologies on the creative process in the 21st Century Professional Dance. London: Middlesex University. 81 pp

Barbara Thompson: Segretos inconfesables de una bailarina. Libro 2: El secreto de las castanuelas.

Cañabate, D. & Rodríguez, D.: Body, movement and dance project: a transversal and exploratory approach within the physical education minor of the degree in primary education. Alicante, Federación Española de Asociaciones de Docentes de Educación Física (FEADEF), 2017, 8 pages. Keywords: Physical Education dance, movement, inquiry, creative process.

ISBN 978-84-947242-2-0

Cañabate, D; Rodríguez, D & Zagalaz, M.L.: Physical education and dance: assessment of its inclusion and development in primary schools in the province of Girona. Barcelona, Apunts, 2016, 14 pages. Keywords: physical education, dance, primary education, teacher training.          ISSN-1577-4015

 Stavrou, Catherina: Greek Traditional Dance And Its Presence In Contempory Greek Society

Chanda Chakraborty: Scopes and Relevance of performing arts  and visual arts in our society


Sachs, Curt: Isadora Duncan, in: World history of the dance. New York,
Norton, p. 447-448

Ms. Diniz, Cintia: Ballet for Learner as of 60 Years Old

Ms. Diniz, Cintia: Can dance generate stress and disrupt the child’s performance in school?


Ms. Diniz, Cintia: The Benefits of Ballet for Adults

Ms. Diniz, Cintia: The Importance of Contextual Assessment of Ballet Dancers

Ms. Diniz Cintia: “How Do Children Learn Ballet Happily?”


Dr. Dolors Cañabate, Mr. David Rodríguez & Dr. M. Luisa Zagalaz Sánchez: Physical education and dance: assessment of its inclusion and development in primary schools in the province of Girona

Ms. Djokam Tamo Agathe

Ms. Erika Matsunami: B.O.D.Y. – そして、それから

Ms. Fabienne Courmont: C I D UNESCO

Mr. Fidel Pajares Santiesteban: Aportes de la danza moderna a la Cultura Nacional. Presencia de África en la cultura danzaria cubana

Mr. Fidel Pajares: I- Aportes de la danza moderna a la cultura nacional. Música y danza moderna en Cuba.

Mr. Fidel Pajares: Estudio de la obra inconclusa de Ramiro Guerra. Apropósito de su nacimiento

Mr. Fidel Pajares: Estudio de la obra inconclusa de Ramiro Guerra. Apropósito del Aniversario 98 de su nacimiento.

Mr. Fidel Pajares: Repertorio histórico de Ramiro Guerra
Estudio de su obra inconclusa

Mr. Frederick Gerald Naerebout:  Another battle fought and lost. Seventeenth century Dutch predikanten and the dance.

Ms. Giovanna Leva Joglekar: A love story of the 19th Century : Jules Perrot and Carlotta Grisi

Ms. Giovanna Leva Joglekar: The Barre in History of Ballet

Horacio E. Ruiz (2015), Papeles de la India, Volumen 44, Numero 1

Ms. Judith Chestnut: Tina Wommelsdorf’s “The Infinite Road to the Top”

Mr. Louis Laberge-Côté: The Porous Body: Cultivating malleability in traditional dance training

K. Majumdar (2017), Dances of Radindranath Tagore: Assimilation of different forms – elements of Dance Therapy, 48th World Congress on Dance Researches – CID at UNESCO, Avignon, France

Ms. Keka Majumdar Chakraborty: AN   INDIAN   DANCER   WHO   REVIVED  AN  OLD  DANCE  FORM 

Ms. Keya Chanda Chakraborty: Scope and Relevance of performing arts and visual arts in our society

Laura Shannon

Ms. Lakshmi Karthik: “Nrithyam” (Dance) , an integral part of Temple Worship With Reference to the Sanskrit Text “Agama Sastra”

Ms. Maria Sabaye Moghaddam: Forbidden dance

Ms. Marie-Helene Delavaud-Roux:  Danses féminines, espace de liberté ou de contraintes ? l’exemple des danses initiatiques pour Artémis en Grèce antique. Communication donnée par M.-H. Delavaud-Roux à l’Université de Bretagne Occidentale lors du séminaire “Femmes dominantes ? femmes dominées ?” le 25/02/2011

Mary Bawden: The Scary Trend in Children’s Dance. Hyper-sexualization/Objectification In Movement.

Mr. Naerebout, Frits: Recensie van Alkis Raftis (ed), Choros ke archea Elladha / Dance and ancient Greece, 2 delen, Athene 1991. ISSN 1018-0982 / 1018-0990, VDO-Bulletin 2, 1993

Nehmat Kaur Dhillon: An Embodiment of Healing through Creative Artistic Punjabi Dance Culture and Connections with Somatic Dance Therapy and Practice

Nehmat Kaur Dhillon: Meeting Global Health through Dance Creativity in Developing world

Ms. Nené de Roeder: Los pies más lindos del mundo

Ms. Pratha Sharma: Brihadeshwara Temple of Thanjavur


Ms. Pratha Sharma: Glories of Cows and why Humans worship them


Ms. Pratha Sharma: Mystery surrounding Kalkaji temple in Delhi – Is it not a Sati Shaktipeeth?

Ms. Pratha Sharma: Temple culture of ancient India – A marvel of architectural genius

Ms. Rakshita Raghunathan: Natya-Art & History

Mr. Rodríguez, David: Dance, the magical experience of being present . Barcelona, Editorial Graó, 2017, 6 pages. Keywords: Dance, choreography, spirituality, awareness, being present, competences.       ISBN: 978- 84-9980-757-7

Duncan, Raymond: La danse et la gymnastique. Paris, conférence faite le

Ms. Rosa Maria  Galan Pons: Direccion y efficacia en los conservatorios de danza

Ms. Silvia Di Pierro: Effect of teaching with or without mirror on balance in young female ballet students

Μίρκα Δημητριάδη Ψαροπούλου (επιμ.): Χορευτικές εμπνεύσεις από την
Αρχαία Ελλάδα. Αθήνα, προσχέδιο για συλλογικό βιβλίο που δεν εκδόθηκε, 1994.